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GENERAL FIREBRAND AND HIS RED ATLAS

A scattered debut.

A dizzying tale of guerrilla resistance in the face of growing totalitarianism.

When Colonel Firebrand, a freedom fighter in the People’s Resistance Committee Guerrilla Army of a fictionalized future India, hears the voice of a scarecrow while out for a cigarette, he thinks he’s being pranked by one of his soldiers. But the voice is no trick—it’s the ghost of General Konstantin Rokossovsky, a long-dead Soviet officer, come to warn Firebrand of an impending shift in the war the PRC is engaged in. Firebrand and the PRC are fighting on behalf of the Sands region, which declared itself an independent nation following an aggressive land acquisition attempt by the republic and its president, Nida Dodi. Dodi, a “far-right religious-party leader,” needs Sands’ resources to maintain power, and the republic’s attempts to take over the land lead to a full-blown civil war. But the pace of the war has changed as of late: An attempt by one of Dodi’s allies to detonate a neutron bomb in Calcutta is foiled by PRC forces, and soon Firebrand and his allies find themselves visited, quite strangely, by all manner of historical ghosts and prophetic animals, who warn of an impending attack by the republic. The clairvoyant creatures carry instructions to ensure Sands’ survival in the coming escalation, and in the course of heeding their advice, Firebrand is brought face to face with the family he thought he’d lost. Bhattacharya’s debut leaps wildly among perspectives and introduces a staggering array of secondary characters, many of whom play no significant part in the action; the novel also leans heavily on extended sections detailing military activity at the expense of developing characters.

A scattered debut.

Pub Date: July 6, 2024

ISBN: 9781803093574

Page Count: 184

Publisher: Seagull Books

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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BURY OUR BONES IN THE MIDNIGHT SOIL

A beautiful meditation on queer identity against a supernatural backdrop.

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Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).

In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.

A beautiful meditation on queer identity against a supernatural backdrop.

Pub Date: June 10, 2025

ISBN: 9781250320520

Page Count: 544

Publisher: Tor

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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