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THIS BOY WE MADE

A MEMOIR OF MOTHERHOOD, GENETICS, AND FACING THE UNKNOWN

A compelling, insightful memoir about parenting through the unknown.

A Black woman with an anxiety disorder chronicles the process of caring for her son, whose undiagnosed illness thrust the family into uncertainty.

Just before his second birthday, Harris’ youngest child, Tophs, woke up listless, silent, and thirsty. When Harris felt his racing heart, her gut told her that something was wrong—but she wasn’t sure if she could trust her gut. A lifetime of managing an anxiety disorder made her feel like she was constantly overreacting to something. Luckily, she overcame her doubts and took her son to the hospital, where the doctors found that his glucose was dangerously low and recommended the start of a process that eventually became years of shuttling her son among geneticists, endocrinologists, and neurologists. While waiting for a diagnosis that would never come, Harris and her husband battled reluctant school systems to get their son the special services he needed, a struggle complicated by their family’s Blackness. “The city needed fewer Black boys in special education, and my Black boy almost got caught up in the quota,” writes the author. “Maybe it wasn’t an intentional scheme, surely it wasn’t a written policy, but it could derail lives of the most vulnerable nonetheless.” Throughout, Harris describes struggling with anxiety, leaning on her Christian faith, and coping with the discovery that she carries a gene that put her at risk for cancer. She leaned on her family and faith to help her live with the reality that her high-needs child would probably never receive a diagnosis and that she would have to parent him without fully understanding his body or his brain. The author deploys humor and delight to infuse the narrative with nuance and hope, and her frank, vulnerable voice makes the book feel like a conversation with a close friend. At times, though, the prose is overwritten, and the flashback-laden timeline can be confusing.

A compelling, insightful memoir about parenting through the unknown.

Pub Date: Jan. 4, 2022

ISBN: 978-1-948226-84-4

Page Count: 272

Publisher: Catapult

Review Posted Online: Oct. 11, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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STRONG FEMALE CHARACTER

An unflinching self-portrait.

The tumultuous life of a bisexual, autistic comic.

In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.

An unflinching self-portrait.

Pub Date: June 6, 2023

ISBN: 9780593582503

Page Count: 288

Publisher: Harmony

Review Posted Online: March 10, 2023

Kirkus Reviews Issue: April 1, 2023

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SORRY NOT SORRY

The choir is sure to enjoy this impassioned preaching on familiar progressive themes.

Essays on current political topics by a high-profile actor and activist.

Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.

The choir is sure to enjoy this impassioned preaching on familiar progressive themes.

Pub Date: Oct. 26, 2021

ISBN: 978-0-593-18329-8

Page Count: 272

Publisher: Dutton

Review Posted Online: Aug. 16, 2021

Kirkus Reviews Issue: Sept. 1, 2021

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