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OPERATION MOONGLOW

A POLITICAL HISTORY OF PROJECT APOLLO

How America won hearts and minds through spaceflight—and succeeded, if only temporarily.

The history of America’s moon landing viewed through the lens of political propaganda.

Muir-Harmony, curator of the Project Apollo collection at the Smithsonian National Air and Space Museum, writes that no one foresaw the worldwide acclaim that greeted the Soviet launch of Sputnik in October 1957. Within months, the world cheered a second, larger satellite containing a dog and then watched America’s first satellite attempt explode on the launchpad. American media fumed, and polls revealed that nations throughout the globe considered the Soviet Union the leader in science and technology. By 1961, the Soviets had orbited a man, and newly elected President John F. Kennedy, reeling from the humiliation of the Bay of Pigs fiasco, proposed to send men to the moon. Innumerable books describe the technical details of Project Apollo, but the author maintains her focus on politics, which means that space buffs will find little new information. Emphasizing that the goal was restoring the United States’ unchallenged world leadership, she delivers a knowledgeable, detailed, and overlong description of “the largest public relations campaign in world history.” Muir-Harmony is clearly impressed with the effort, especially “the openness of the program, combined with the broad access afforded by television, radio, and newspaper coverage.” All missions were broadcast live. Exhibits that toured the world featured the actual rockets, capsules, and technical specifics as well as films, pamphlets, photographs, and souvenirs. Foreign journalists received a VIP tour of American facilities and went home full of enthusiasm. The American plan, notes the author, eschewed flag-waving and sought to “treat the mission as an accomplishment of all humankind.” Meanwhile, Soviet officials trotted out their cosmonauts but kept secret all of the details of their missions. In making her passionate case, Muir-Harmony devotes lengthy chapters to the minutiae of global astronaut publicity tours, sections that may overwhelm general readers but appeal to policy wonks.

How America won hearts and minds through spaceflight—and succeeded, if only temporarily.

Pub Date: Nov. 24, 2020

ISBN: 978-1-5416-9987-8

Page Count: 384

Publisher: Basic Books

Review Posted Online: Aug. 26, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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  • Kirkus Reviews'
    Best Books Of 2017


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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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