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THE HABIT OF RIVERS

REFLECTIONS ON TROUT STREAMS AND FLY FISHING

Casting his line in the wilds of the Blue Mountains of Oregon, fly fisherman Leeson (contributing editor, Fly Rod & Reel; English/Oregon State Univ.) is in his element; but as the Spinoza of the Umpqua he crashes and burns. Leeson spends much of his time fly-fishing the waters of the Northwest for trout, steelhead, and salmon, and he has clearly given his avocation long, deep thought. He often, however—too often—seems to be thinking out loud on the page, his ideas not yet distilled. He can be aggravatingly coy (going fishing is ``nonterminal, participial indefiniteness''), reach too hard (``the salmon run is a confluence of origins and eventualities''), let the fishing get bogged down in overanalysis, and display a dismaying lack of humor. When he finally gets midstream and starts fishing, though, things throttle back and lighten up. This looser, more spontaneous style shows Leeson at his best—observant, inventive, human. Particularly good are his quick sketches of streamside natural history (birds and trout do seem strangely entwined) and the more extended meditations on flies and those who tie them. And readers will crack smiles reading of his unpleasant chance encounters (he wading, they floating) with other fishermen. But then he'll go and kill the pleasure of the moment again with a ham- fisted, pompous discourse on catch-and-release fishing, or muse interminably about the ``geometry'' of this, the ``fixity'' of that—and any rhythm that has been developed slows down and dies. Leeson's prose needs to be brought down to fighting weight, like the type of fly he most admires. Minimally dressed, it could be quite catching.

Pub Date: March 1, 1994

ISBN: 1-55821-300-7

Page Count: 192

Publisher: Lyons Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1994

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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