An awkward start.
It’s not the animals, but the clueless humans who dominate this amorphous story collection, the author’s debut.
Of the ten stories (and two short flights of fancy), the longest, "Airbag," has been split into three nonconsecutive segments. It’s about a midget, Dorlene, who claims to be the seventh shortest person in the country. She’s described almost exclusively in terms of her size; that’s reductive, offensively so. She’s been brought to a party at a farm outside Seattle; she’s a former student of Tom, the host. Dorlene’s no higher than crotch level (cue the oral-sex joke). Tom has a truly enormous dog, which he’s forgotten to shut away; it looms over Dorlene, who’s so panicked she wets herself. The ending will not be pleasant. There is more foolishness in the next longest story: "Putting the Lizard to Sleep." A 5-year-old’s pet lizard loses part of its tail and has to be euthanized by the vet. John, the father, had been hoping to retrieve the dead lizard: “I wanted him to see what dead is.” But the lizard’s already been cremated, so John and his live-in girlfriend pretend they have the dead lizard in a box (it’s actually a sausage link). The ponderously delivered moral is that lying to kids doesn’t work. The other stories are even less developed. "Opinion of Person" is a study of anomie. Two housemates are united by their loathing of a cat, whose owner is away at work. James, in "Momentary," has lost his hand in an act of self-mutilation. He’s under observation in a mental hospital, yet there are no insights into his condition. "The Lion" is just as wispy. A wheelchair-bound woman has made a lion out of fabric. Will it be a Frankenstein’s monster? Who knows? And who knows what’s going on in "Jane," between the ghost and her sleeping ex-lover? As Sanders writes elsewhere, “Confusion burbles thickly.”
An awkward start.Pub Date: July 3, 2012
ISBN: 978-1-55597-616-3
Page Count: 272
Publisher: Graywolf
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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