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SWEET SHADOWS

Entertaining.

This second book in a planned trilogy about three sisters descended from Medusa brings Greek mythological monsters to the modern world.

Gretchen, Greer and Grace learn that they are the key generation that must either seal or unseal the portal to the abyss, perhaps unleashing upon the world monsters that have been kept in abeyance since the original Medusa’s death. Triplets who were adopted into wildly different families, at age 16 they have come into their powers. Gretchen has the most experience in fighting monsters and tries to train her sisters, but attacks from the underworld keep getting in the way. While much depends on knowledge from the previous installment (Sweet Venom, 2011), this sequel explains enough for new readers to follow the story, especially when the action picks up as Gretchen enters a mythological realm. Childs clearly has good fun with her monsters; she takes most from Greek mythology but throws in a few sympathetic beasts, such as Harold, the friendly, giant-spider school janitor. The three sisters share the narration in successive chapters, and although their personalities appear quite different, each speaks with a similar voice, so readers will need to note the names heading each chapter. The author finds plenty of material in the myths yet keeps her tone light enough and her main characters contemporary enough to please her target audience of teens just moving on from Percy Jackson.

Entertaining. (Paranormal suspense. 12 & up)

Pub Date: Sept. 4, 2012

ISBN: 978-0-06-200183-2

Page Count: 336

Publisher: Katherine Tegen/HarperCollins

Review Posted Online: July 17, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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