by Terence with Hilda Wane Ornitz Knapp ‧ RELEASE DATE: Nov. 7, 2000
Classically trained British actors of Knapp's pedigree are a vanishing breed, and he illuminates the rigors and the...
Tasteful memoir from a repertory actor with the National Theatre Company in Great Britain who shared the stage with such luminaries as Sir Laurence Olivier, Vivien Leigh, Alec Guinness and Peter O'Toole.
Of Anglo-Irish origin, Knapp's writing is characteristically modest and understated, an admirable style most American celebrity memoirists would do well to follow. Within these pages, he attempts to capture the magic of his contemporary's performances, a tall order indeed, given that a dramatic performance, like a painting, cannot be effectively conveyed through words. Nevertheless, the book provides some notable insights into an actor’s life on the British stage. While director of the government-funded National Theatre, Olivier arranged for a new compensation system that paid a negotiated weekly salary to ensemble actors (whether they acted or not), plus a negotiated fee for each performance–-a system that didn't last long. Knapp also notes Franco Zeffirelli's surprise that no "giants and dwarfs...skinnies and fatsos" were to be found in the Company, Olivier dryly observing that British actors were expected to get into character through makeup and costume. The story, however, sags a bit at the beginning and the end. Ornitz's preface is soaked with Dickensian pathos: "There were times in the Knapp household when money was short and luxury consisted of an enamel bowl of hot meat faggots and pease pudding from the butcher's shop"; the later chapters, describing Knapp's travels through Japan–-notable for his encounters with Kabuki and Noh-–and eventual residence in Hawaii as a director and drama teacher, lack the sparkle of the anecdotes from his youth.
Classically trained British actors of Knapp's pedigree are a vanishing breed, and he illuminates the rigors and the satisfactions of their professional lives.Pub Date: Nov. 7, 2000
ISBN: 0-7388-2135-7
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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SEEN & HEARD
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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