A revealing, though at times overly detailed, portrait.
A passionate defender of the poor and oppressed receives a full-length biography.
Poet, essayist, and editor Lola Ridge (1873-1941), born in Ireland, raised in New Zealand, and educated in Australia, made her mark in the United States beginning in 1907, when she became part of a burgeoning arts scene in San Francisco, and most significantly in New York, where she was a major literary figure. Svoboda (Tin God, 2013, etc.), a poet, fiction writer, translator, and Guggenheim Fellow, revives Ridge’s life in minute—sometimes fascinating, sometimes tedious—detail. Possibly because she was denied access to archival sources, Svoboda speculates about Ridge’s motivations, thinking, and assumptions: “perhaps,” “could have,” and “might have” recur so often that they become distracting. Although providing context is one of the author’s strengths, at times she overdoes it. For example, while recounting the time when Ridge deposited her 8-year-old son in an orphanage, where he remained for six years, Svoboda offers many examples of others who abandoned their children. Ridge’s admiration for Percy Bysshe Shelley generates a list of other admirers, including Oscar Wilde, Karl Marx, George Bernard Shaw, and Upton Sinclair. Ridge suffered from “an illness similar to T.B.,” leading Svoboda to note a handful of others in her circle who “spent enormous amounts of time in bed.” More relevant are capsule biographies of everyone Ridge knew: her friends Marianne Moore, novelists Evelyn Scott and Kay Boyle, activists Margaret Sanger and Emma Goldman; Harold Loeb, who assigned Ridge as American editor of his literary magazine Broom; Jean Toomer, Robert McAlmon, Matthew Josephson, and scores more. Svoboda’s close reading of Ridge’s poetry supports Boyle’s assessment that Ridge “expressed a fiery awareness of social injustice” in “a woman’s savage voice.” Anorexic, living in self-imposed poverty, uncompromising, and strong-willed, Ridge merged the political and the literary as she helped to shape modernist aesthetics.
A revealing, though at times overly detailed, portrait.Pub Date: Jan. 5, 2016
ISBN: 978-1-936182-96-1
Page Count: 648
Publisher: Schaffner Press
Review Posted Online: Sept. 21, 2015
Kirkus Reviews Issue: Oct. 15, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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