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WITHOUT WARNING

THE SAGA OF GETTYSBURG, A RELUCTANT UNION HERO, AND THE MEN HE INSPIRED

This tale skillfully shows the complexities and bloodshed of three famous days in American history.

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A historical novel focuses on the Battle of Gettysburg from the perspective of the North.

Pierce begins this detailed work on June 27, 1863. It is the middle of the Civil War, and President Abraham Lincoln and his team in the White House want a change. The Rebels have invaded Pennsylvania. A wrong decision could very well lead to an attack on the nation’s capital. A messenger is dispatched to the front lines to tell Gen. George Meade that he is the new head of the Army of the Potomac. Meade is a West Point graduate and career soldier, though he has some doubts that he is the right one to command so many men. He lacks the charisma of more well-liked generals and is known for his hot temper. But orders are orders. Meade is soon at the helm of what will be remembered as the bloodiest engagement of the Civil War. The narrative follows Meade and a few other characters on the Union side as they fight the enemy, the oppressive summer heat, and problems in their own ranks. Perhaps the biggest thorn in Meade’s side is Maj. Gen. Daniel Sickles. Although Sickles thinks quite highly of himself, Meade has quite the opposite opinion. Sickles, who has political connections and was once acquitted of killing his wife’s lover, presents a major problem on the battlefield when he decides to place his troops in a foolhardy position. Yet even when Sickles must exit the battle with a wounded leg, there are still lots of pounding artillery, infantry charges, and Rebel yells to fill the once-tranquil Pennsylvania landscape.

The book deftly outlines the enormous task that lay before Meade. From the difficulties of simply communicating to his troops to men like Sickles who might decide to do what they wanted regardless of orders, leading the Union forces in a major engagement is certainly no cakewalk. Not to mention that Meade takes command mere days before the epic battle. And those are just the logistical problems. The tale effectively depicts how even a general like Meade has plenty to fear from enemy fire, as when a shell bursts near a group of officers, “raining down steel fragments.” But not all of the details are quite as informative. Meade and others, as one could imagine, have a penchant for coffee. Yet readers need not care how a private “poured a steaming cup” and how “Meade’s cook walked onto the porch and handed Meade a cup of coffee.” Such moments lengthen an already sprawling novel without supplying much substance. Meanwhile, opportunities for providing more depth are missed. For example, much is made of the many participants in the war who are West Point graduates. But what might West Point have been like in the 1800s? Why do some leave the school with a sense of duty while others see fit to break their “solemn oath to protect and honor the Republic”? Nevertheless, the novel delivers an astute angle from which to consider the crucial events of those deadly days in July. In the end, Meade, a figure often overshadowed by other heroes, has a lot to tell readers.

This tale skillfully shows the complexities and bloodshed of three famous days in American history.

Pub Date: June 15, 2020

ISBN: 978-1-63107-027-3

Page Count: 788

Publisher: Heart Ally Books

Review Posted Online: July 7, 2020

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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