by Terry C. Pierce ‧ RELEASE DATE: June 15, 2020
This tale skillfully shows the complexities and bloodshed of three famous days in American history.
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A historical novel focuses on the Battle of Gettysburg from the perspective of the North.
Pierce begins this detailed work on June 27, 1863. It is the middle of the Civil War, and President Abraham Lincoln and his team in the White House want a change. The Rebels have invaded Pennsylvania. A wrong decision could very well lead to an attack on the nation’s capital. A messenger is dispatched to the front lines to tell Gen. George Meade that he is the new head of the Army of the Potomac. Meade is a West Point graduate and career soldier, though he has some doubts that he is the right one to command so many men. He lacks the charisma of more well-liked generals and is known for his hot temper. But orders are orders. Meade is soon at the helm of what will be remembered as the bloodiest engagement of the Civil War. The narrative follows Meade and a few other characters on the Union side as they fight the enemy, the oppressive summer heat, and problems in their own ranks. Perhaps the biggest thorn in Meade’s side is Maj. Gen. Daniel Sickles. Although Sickles thinks quite highly of himself, Meade has quite the opposite opinion. Sickles, who has political connections and was once acquitted of killing his wife’s lover, presents a major problem on the battlefield when he decides to place his troops in a foolhardy position. Yet even when Sickles must exit the battle with a wounded leg, there are still lots of pounding artillery, infantry charges, and Rebel yells to fill the once-tranquil Pennsylvania landscape.
The book deftly outlines the enormous task that lay before Meade. From the difficulties of simply communicating to his troops to men like Sickles who might decide to do what they wanted regardless of orders, leading the Union forces in a major engagement is certainly no cakewalk. Not to mention that Meade takes command mere days before the epic battle. And those are just the logistical problems. The tale effectively depicts how even a general like Meade has plenty to fear from enemy fire, as when a shell bursts near a group of officers, “raining down steel fragments.” But not all of the details are quite as informative. Meade and others, as one could imagine, have a penchant for coffee. Yet readers need not care how a private “poured a steaming cup” and how “Meade’s cook walked onto the porch and handed Meade a cup of coffee.” Such moments lengthen an already sprawling novel without supplying much substance. Meanwhile, opportunities for providing more depth are missed. For example, much is made of the many participants in the war who are West Point graduates. But what might West Point have been like in the 1800s? Why do some leave the school with a sense of duty while others see fit to break their “solemn oath to protect and honor the Republic”? Nevertheless, the novel delivers an astute angle from which to consider the crucial events of those deadly days in July. In the end, Meade, a figure often overshadowed by other heroes, has a lot to tell readers.
This tale skillfully shows the complexities and bloodshed of three famous days in American history.Pub Date: June 15, 2020
ISBN: 978-1-63107-027-3
Page Count: 788
Publisher: Heart Ally Books
Review Posted Online: July 7, 2020
Review Program: Kirkus Indie
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by V.E. Schwab ‧ RELEASE DATE: June 10, 2025
A beautiful meditation on queer identity against a supernatural backdrop.
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New York Times Bestseller
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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by V.E. Schwab ; illustrated by Manuel Šumberac
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PERSPECTIVES
PERSPECTIVES
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: yesterday
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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