by Terry C. Pierce ‧ RELEASE DATE: June 15, 2020
This tale skillfully shows the complexities and bloodshed of three famous days in American history.
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A historical novel focuses on the Battle of Gettysburg from the perspective of the North.
Pierce begins this detailed work on June 27, 1863. It is the middle of the Civil War, and President Abraham Lincoln and his team in the White House want a change. The Rebels have invaded Pennsylvania. A wrong decision could very well lead to an attack on the nation’s capital. A messenger is dispatched to the front lines to tell Gen. George Meade that he is the new head of the Army of the Potomac. Meade is a West Point graduate and career soldier, though he has some doubts that he is the right one to command so many men. He lacks the charisma of more well-liked generals and is known for his hot temper. But orders are orders. Meade is soon at the helm of what will be remembered as the bloodiest engagement of the Civil War. The narrative follows Meade and a few other characters on the Union side as they fight the enemy, the oppressive summer heat, and problems in their own ranks. Perhaps the biggest thorn in Meade’s side is Maj. Gen. Daniel Sickles. Although Sickles thinks quite highly of himself, Meade has quite the opposite opinion. Sickles, who has political connections and was once acquitted of killing his wife’s lover, presents a major problem on the battlefield when he decides to place his troops in a foolhardy position. Yet even when Sickles must exit the battle with a wounded leg, there are still lots of pounding artillery, infantry charges, and Rebel yells to fill the once-tranquil Pennsylvania landscape.
The book deftly outlines the enormous task that lay before Meade. From the difficulties of simply communicating to his troops to men like Sickles who might decide to do what they wanted regardless of orders, leading the Union forces in a major engagement is certainly no cakewalk. Not to mention that Meade takes command mere days before the epic battle. And those are just the logistical problems. The tale effectively depicts how even a general like Meade has plenty to fear from enemy fire, as when a shell bursts near a group of officers, “raining down steel fragments.” But not all of the details are quite as informative. Meade and others, as one could imagine, have a penchant for coffee. Yet readers need not care how a private “poured a steaming cup” and how “Meade’s cook walked onto the porch and handed Meade a cup of coffee.” Such moments lengthen an already sprawling novel without supplying much substance. Meanwhile, opportunities for providing more depth are missed. For example, much is made of the many participants in the war who are West Point graduates. But what might West Point have been like in the 1800s? Why do some leave the school with a sense of duty while others see fit to break their “solemn oath to protect and honor the Republic”? Nevertheless, the novel delivers an astute angle from which to consider the crucial events of those deadly days in July. In the end, Meade, a figure often overshadowed by other heroes, has a lot to tell readers.
This tale skillfully shows the complexities and bloodshed of three famous days in American history.Pub Date: June 15, 2020
ISBN: 978-1-63107-027-3
Page Count: 788
Publisher: Heart Ally Books
Review Posted Online: July 7, 2020
Review Program: Kirkus Indie
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by Xochitl Gonzalez ‧ RELEASE DATE: March 5, 2024
An uncompromising message, delivered via a gripping story with two engaging heroines.
An undergraduate at Brown University unearths the buried history of a Latine artist.
As in her bestselling debut, Olga Dies Dreaming (2022), Gonzalez shrewdly anatomizes racial and class hierarchies. Her bifurcated novel begins at a posh art-world party in 1985 as the title character, a Cuban American land and body artist, garners recognition that threatens the ego of her older, more famous husband, white minimalist sculptor Jack Martin. The story then shifts to Raquel Toro, whose working-class, Puerto Rican background makes her feel out of place among the “Art History Girls” who easily chat with professors and vacation in Europe. Nonetheless, in the spring of 1998, Raquel wins a prestigious summer fellowship at the Rhode Island School of Design, and her faculty adviser is enthusiastic about her thesis on Jack Martin, even if she’s not. Soon she’s enjoying the attentions of Nick Fitzsimmons, a well-connected, upper-crust senior. As Raquel’s story progresses, Anita’s first-person narrative acquires a supernatural twist following the night she falls from the window of their apartment —“jumped? or, could it be, pushed?”—but it’s grimly realistic in its exploration of her toxic relationship with Jack. (A dedication, “In memory of Ana,” flags the notorious case of sculptor Carl Andre, tried and acquitted for the murder of his wife, artist Ana Mendieta.) Raquel’s affair with Nick mirrors that unequal dynamic when she adapts her schedule and appearance to his whims, neglecting her friends and her family in Brooklyn. Gonzalez, herself a Brown graduate, brilliantly captures the daily slights endured by someone perceived as Other, from microaggressions (Raquel’s adviser refers to her as “Mexican”) to brutally racist behavior by the Art History Girls. While a vividly rendered supporting cast urges Raquel to be true to herself and her roots, her research on Martin leads to Anita’s art and the realization that she belongs to a tradition that’s been erased from mainstream art history.
An uncompromising message, delivered via a gripping story with two engaging heroines.Pub Date: March 5, 2024
ISBN: 9781250786210
Page Count: 352
Publisher: Flatiron Books
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
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SEEN & HEARD
by Jacqueline Harpman ‧ RELEASE DATE: May 1, 1997
I Who Have Never Known Men ($22.00; May 1997; 224 pp.; 1-888363-43-6): In this futuristic fantasy (which is immediately reminiscent of Margaret Atwood's The Handmaid's Tale), the nameless narrator passes from her adolescent captivity among women who are kept in underground cages following some unspecified global catastrophe, to a life as, apparently, the last woman on earth. The material is stretched thin, but Harpman's eye for detail and command of tone (effectively translated from the French original) give powerful credibility to her portrayal of a human tabula rasa gradually acquiring a fragmentary comprehension of the phenomena of life and loving, and a moving plangency to her muted cri de coeur (``I am the sterile offspring of a race about which I know nothing, not even whether it has become extinct'').
Pub Date: May 1, 1997
ISBN: 1-888363-43-6
Page Count: 224
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
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by Jacqueline Harpman & translated by Ros Schwartz
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