The first two novellas, brimming with the magic of holiday romance, are worth the price of the book.
Four Christmas-themed novellas by leading historical romance writers that pay homage to beloved holiday films.
In the opening novella, Meet Me in Mayfair by Dare (The Wallflower Wager, 2019, etc.), James, the new Duke of Thorndale, demands payment of Louisa Ward’s father’s debt, which will render the family homeless. Louisa attends a holiday ball hoping to entice a wealthy suitor but attracts the attention of the duke himself, who finds her indifference to him appealing. They have a series of wintry adventures all over London, in the course of which she teaches him the importance of home. An homage to Meet Me in St. Louis, Dare’s irreverent story brings all of the optimism, romance, and wit of that beloved film to a Regency setting. MacLean’s (Brazen and the Beast, 2019, etc.) The Duke of Christmas Present is a second-chance romance wrapped in a Scrooge story. Eben (get it?), Duke of Allryd, is all work and no play. On Christmas Eve, having sent the servants away, he engages in his ritual of getting drunk and trying to forget the night 12 years ago when the love of his life, Lady Jaqueline “Jack” Mosby, left him. Having inherited a nearly bankrupt ducal estate, Eben kept Jack waiting too long for marriage while he rebuilt the family’s wealth. When Jack returns from a decade of world traveling, their intense longing draws them together while past hurts linger. An angst-y winner. In Jordan’s (The Duke’s Stolen Bride, 2019, etc.) Heiress Alone, Annis Ballister is stranded in the Scottish Highlands when her big, boisterous family returns to London without her. The surly, hermitlike Duke of Calder shelters Annis in his castle against brigands during a snowstorm. Soon, the duke is reconsidering his confirmed bachelorhood while Annis' ambition to become a nun melts in the heat of Calder’s rough embrace. Sexy, with a classic gruff Scottish hero who is a bit too pushy. Shupe's (The Rogue of Fifth Avenue, 2019, etc.) Christmas in Central Park finds popular columnist Rose Walker in a bind when her newspaper’s owner, Duke Havermeyer III, asks her to prepare a holiday dinner for the board of directors. Although she poses in print as a Gilded Age Martha Stewart, Rose is single, of modest means, and domestically uninclined. The romance is rushed, but the story is amusing and sweet.
The first two novellas, brimming with the magic of holiday romance, are worth the price of the book.Pub Date: Sept. 24, 2019
ISBN: 978-0-06-296241-6
Page Count: 464
Publisher: Avon/HarperCollins
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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