Thai has created three strong, unique women determined to find their own paths despite daunting circumstances.
Long-held secrets haunt the lives of three generations of Vietnamese women.
Ann Tran, an illustrator who lives in Michigan with her boyfriend, Noah Winthorpe, a college professor from a wealthy White family of country clubbers, gradually becomes aware of the disconnect between the life she thought she wanted with Noah and the life she actually would have chosen on her own. The realization is prompted by an unplanned pregnancy, but Ann takes time to think things over once she returns “home” to the Gulf Coast of Florida to mourn the death of her beloved and revered grandmother Minh, who had fled Vietnam as a single mother with her children during the “American War.” Ann and her mother, Hương, who have long been at odds, must grapple with creating a relationship in the absence of Minh’s overwhelming influence. Hương raised Ann as a single mother—though Ann was closer to her grandmother—and never told her the identity of her father. In the shadow of Minh’s death, the two women move into the sprawling but deteriorated Gothic mansion—the Banyan House—they have jointly inherited and work to overcome the legacy of lies and misunderstandings that has permeated their family for generations. As Ann seeks to form a plan for her future, she becomes aware of complicated truths about her grandmother’s life through explorations of the jam-packed rooms of the Banyan House and candid revelations from her high school friends about the woman she thought she knew so well. Thai deftly dissects the touchiness of strained mother-daughter relationships in a surprise-filled narrative that ranges from 1960s Vietnam to present-day Florida.
Thai has created three strong, unique women determined to find their own paths despite daunting circumstances.Pub Date: June 27, 2023
ISBN: 9780063267107
Page Count: 336
Publisher: Mariner Books
Review Posted Online: March 27, 2023
Kirkus Reviews Issue: April 15, 2023
SEEN & HEARD
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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