Celebrating kids, art, and supportive communities, this gem deserves a wide audience.
Award-winning illustrator Taylor honors artistic expression and community support for street art in his authorial debut.
Narrator Sam moves cross-country with Mom and Dad, trading their beloved, pulsing city for a small, quiet town. Sam feels like an outsider “from another planet” at school, “ready to take the first spacecraft home.” A downtown encounter with gorgeous graffiti on a wall that spells out “EXPAND!!!” wows Sam, evoking the vibrancy of the city. But when Sam and older cousin Lincoln return, they find the wall painted over. Lincoln knows that street art hides all over town, though: “tags in the alley, stickers on street signs, stencils on the corner,” and more. “You just have to know where to look!” The pair then discover something extraordinary: an abandoned factory, alive with diverse graffiti artists transforming its interior walls. Sam, approaching a busy mother-daughter team, learns that the town has sanctioned the venue for rehabilitation as a community art space. Invited, Sam dons a respirator and gets to work. Final pages reveal the protagonist’s giant self-portrait as an astronaut against the word HOME, extending the theme of artistic and personal expansion. Taylor’s vibrant, explosive illustrations vividly capture street art’s dynamism in a palette with purple and gold highlights. He encodes messages of positivity into the graffiti—“XPLORE,” “HOPE”—as well as names and personal references. Sam, Lincoln, and Sam’s parents are Black; the mother and daughter Sam meets are light-skinned. (This book was reviewed digitally.)
Celebrating kids, art, and supportive communities, this gem deserves a wide audience. (author’s note) (Picture book. 4-8)Pub Date: Oct. 11, 2022
ISBN: 978-1-62672-294-1
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving and meaningful way to talk about a situation many families will face.
Every few years a new picture book takes on the subject of dementia and memory loss; this is that title for 2018.
Not since Wilfrid Gordon McDonald Partridge, by Mem Fox and illustrated by Julie Vivas (1984), has the topic been handled with such gentle compassion, using the metaphor of memory-filled balloons to explore it. Explaining a confounding disease to young children is difficult, and the notion of the titular balloons is initially confusing. As the story—and the disease as it manifests in the narrator’s grandfather—progresses, the idea of storing memories in balloons is increasingly effective. Children understand the ephemeral nature of balloons. Gray-toned line drawings quietly convey James and Grandpa’s loving relationship even as Grandpa is beginning to forget the details of his life. The brightly colored balloons stand out against the white background in stark contrast to Grandpa’s fading memory. Placing the memory vignettes in full-page tinted balloons helps clarify their position in the story and makes this abstract metaphor more concrete for young readers. Both Grandpa and Dad have curly hair and dark skin, and Mom is white. Biracial James and Grandpa’s shared heritage and stories of their loving family shine. What is clear is that their memories matter—to them and ultimately to readers.
A moving and meaningful way to talk about a situation many families will face. (Picture book. 4-8)Pub Date: Aug. 28, 2018
ISBN: 978-1-4814-8915-7
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
Sweet, good-hearted fun.
A recovering curmudgeon narrates life lessons in the latest entry in the punny Food Group series.
Grape wasn’t always sour, as they explain in this origin story. Grape’s arc starts with an idyllic childhood within “a close-knit bunch” in a community of “about three thousand.” The sweet-to-sour switch begins when Grape plans an elaborate birthday party to which no one shows up. Going from “sweet” to “bitter,” “snappy,” and, finally, “sour,” Grape “scowled so much that my face got all squishy.” Minor grudges become major. An aha moment occurs when a run of bad luck makes Grape three hours late for a meetup with best friend Lenny, who’s just as acidic as Grape. After the irate lemon storms off, Grape recognizes their own behavior in Lenny. Alone, Grape begins to enjoy the charms of a lovely evening. Once home, the fruit browses through a box of memorabilia, discovering that the old birthday party invitation provided the wrong date! “I realized nobody’s perfect. Not even me.” Remaining pages reverse the downturn as Grape observes that minor setbacks are easily weathered when the emphasis is on talking, listening, and working things out. Oswald’s signature illustrations depict Grape and company with big eyes and tiny limbs. The best sight gag occurs early: Grape’s grandparents are depicted as elegant raisins. The lessons are as valuable as in previous outings, and kids won’t mind the slight preachiness. (This book was reviewed digitally.)
Sweet, good-hearted fun. (Picture book. 4-8)Pub Date: Nov. 1, 2022
ISBN: 978-0-06-304541-5
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 30, 2022
Kirkus Reviews Issue: Sept. 15, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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