An intriguing blend of spoken-word and picture-book artistry.
A spoken-word artist adapts her melodic poem into a picture-book celebration of Blackness.
“You so Black, when you smile, the stars come out. / You so Black, when you’re born, / the god come out.” The poem begins by invoking the nighttime sky and stars before moving on to mathematics and the pyramids, both of which originated in Africa. The verses praise the physical, intellectual, and emotional attributes of Black people, highlight their creative contributions, and praise their resilience in the face of hardship. The author stresses the importance of family ties along with the quest for freedom. The narrative makes it clear that Black is more than a color and that it is not restricted to any shade. The evocative language and structure are similar to that of a praise song, an African poetic form. Ladd’s vibrant mixed-media collages pair perfectly with the spirited words and enhance and amplify their meaning. The bold colors and striking images support the uplifting text. Illustrations of the very recognizable inauguration of President Barack Obama and the Martin Luther King, Jr. Memorial along with depictions of regular Black children and families reinforce the message that Black excellence is everywhere. (This book was reviewed digitally.)
An intriguing blend of spoken-word and picture-book artistry. (Picture book. 4-8)Pub Date: Jan. 10, 2023
ISBN: 9781665900348
Page Count: 48
Publisher: Denene Millner Books/Simon & Schuster
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As insubstantial as hot air.
A diverse cast of children first makes a fleet of hot air balloons and then takes to the sky in them.
Lifestyle maven Gaines uses this activity as a platform to celebrate diversity in learning and working styles. Some people like to work together; others prefer a solo process. Some take pains to plan extensively; others know exactly what they want and jump right in. Some apply science; others demonstrate artistic prowess. But “see how beautiful it can be when / our differences share the same sky?” Double-page spreads leading up to this moment of liftoff are laid out such that rhyming abcb quatrains typically contain one or two opposing concepts: “Some of us are teachers / and share what we know. / But all of us are learners. / Together is how we grow!” In the accompanying illustration, a bespectacled, Asian-presenting child at a blackboard lectures the other children on “balloon safety.” Gaines’ text has the ring of sincerity, but the sentiment is hardly an original one, and her verse frequently sacrifices scansion for rhyme. Sometimes it abandons both: “We may not look / or work or think the same, / but we all have an / important part to play.” Swaney’s delicate, pastel-hued illustrations do little to expand on the text, but they are pretty. (This book was reviewed digitally with 11.2-by-18.6-inch double-page spreads viewed at 70.7% of actual size.)
As insubstantial as hot air. (Picture book. 4-8)Pub Date: Nov. 10, 2020
ISBN: 978-1-4003-1423-2
Page Count: 32
Publisher: Tommy Nelson
Review Posted Online: Jan. 18, 2021
BOOK REVIEW
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