Next book

HEAVENLY

An awkwardly executed work with a by-the-numbers plot.

In Duffy’s fantasy novel, an ordinary man is sent from heaven back to Earth, reborn into a new body.

John Robinson is middle-aged, underemployed, and unremarkable when he’s struck by a stray bullet and killed. He then enters a farcical and vaguely bureaucratic afterlife with “officers” and “assistants” filling in rank-and-file positions in an office-park heaven. Because he lived such a mundane life, Andrea—one of God’s main subordinates and the officer in charge of John’s file—informs him that his case for getting into heaven is on shaky ground. In a show of benevolence, however, God and his team agree to give John a do-over, returning him to Earth in the form of an infant named Peter but giving him a strict timeline of “40-years to find a wife, a family, and a good job to support them” and, of course, none of his memories from his past life or of his time in heaven. This novel begins with a fun, tongue-in-cheek romp through the afterlife—a diverting, if familiar, concept. However, it fails to maintain its momentum. Duffy’s prose is strongest in the managerial world of heaven; the scenes there feel lively, with tongue-in-cheek idioms like “the big guy,” referring to God, and John’s entire life slimmed down to a small file (“I read it quickly but know all the details very well,” Andrea blithely remarks). Yet the depiction of heaven is just a framing device for what is ultimately a predictable and rather preachy tale. John-as-Peter fumbles through life, working at a dead-end job in a Catholic high school and failing to make meaningful romantic connections—until he meets Teresa, a stereotypical sex worker with a heart of gold, with whom he starts to form an earnest relationship. Although the narrative has a ticking clock, the story of Peter’s life and hopeful redemption is just as unengaging as John’s previous existence. The often stilted prose in these sections doesn’t help, nor does the character’s post-reincarnation proselytizing, although more devout readers may warm to this novel’s religious overtones.

An awkwardly executed work with a by-the-numbers plot.

Pub Date: March 16, 2021

ISBN: 979-8-71-898467-5

Page Count: 200

Publisher: Self

Review Posted Online: July 28, 2021

Awards & Accolades

Likes

  • Readers Vote
  • 308


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 308


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Next book

WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

Close Quickview