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HISTORIC HOUSES OF WORSHIP IN PERIL

CONSERVING THEIR PLACE IN AMERICAN LIFE

A thorough and thought-provoking examination of the roles houses of worship play in communities.

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A work studies a wide variety of causes and ripple effects of houses of worship closing their doors.

“Religious buildings,” Frank writes, “their spaces and programs, their very presence, have long been essential elements of the sense of place that grounds community life in America.” The author sees houses of worship as the centers of this extremely important sense of place, a concept that extends well beyond the specific religious intentions of the people and denominations that built them in the first place. Frank notes that this vital sense of place was often reflected even in the geography of houses of worship, which often tended to cluster near town centers or commons. He uses as his main example North Adams, Massachusetts, focusing his inquiries on the kinds of general questions such buildings tend to prompt. These questions include “What kind of place is this, and what place will it become?” And, the author asks, “who gets to” answer or even frame such questions? These queries become more pressing as local communities across America lose parishes and centers of worship at an increasing rate, with the buildings themselves being repurposed into apartments, condos, and city offices. In all of these cases, Frank probes the far-reaching effects of such closings. “Is the scale of these closings indicative of social change and accelerating dispersal of ethnic and neighborhood cohesion?” he asks. “Or do the closings themselves exacerbate these trends? Or both?”

Throughout the book, the author takes a bracing, factual tone, completely rejecting the idea that he’s indulging in mere nostalgia. The historical activities he’s engaged in, “remembering stories of the past, asking how buildings came to be, or who the people were who populated this house of worship and this community,” are, he points out, “explicitly anti-nostalgic.” Understanding this kind of history, he maintains, “is essential in planning for a constructive future.” Frank uses the case of North Adams very skillfully in order to both explore the issues and challenge his readers. He has some stern words for the callous or unthinking way municipalities—and church management teams—sometimes deal with the issues involved in closing houses of worship. When he describes, for instance, the somewhat fumbling way North Adams dealt with closing, consolidating, and renaming churches, he asks: “But a diocese” can just “announce the renovation of collective memory and the institution of new folkways?” Most of Frank’s readers have at least a few houses of worship in their own immediate settings, and perhaps many of them know of such places that have indeed been transformed into condos or office spaces. But all readers will be captivated by the author’s intelligent and unflinching insights into both the role that houses of worship play in their cities and the changes that can happen when they close their doors.

A thorough and thought-provoking examination of the roles houses of worship play in communities.

Pub Date: March 10, 2020

ISBN: 978-1-61846-095-0

Page Count: 172

Publisher: Library Partners Press

Review Posted Online: Aug. 21, 2020

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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ROSE BOOK OF BIBLE CHARTS, MAPS AND TIME LINES

Worthwhile reference stuffed with facts and illustrations.

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A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.

This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.

Worthwhile reference stuffed with facts and illustrations.

Pub Date: Sept. 1, 2005

ISBN: 978-1-5963-6022-8

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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