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THE MAN BEHIND THE MASK

JOURNEY OF AN ORTHOPAEDIC SURGEON

Mallory may have been an important orthopedic surgeon, but he’s no Jerome Groopman.

Tedious memoir of a retired physician.

Mallory’s recollections plod along through adolescence in 1950s Ohio, medical residency at Ohio State, cutting-edge work in hip replacement and his deepening Christian faith. About the early days of his marriage, he has nothing more interesting to impart than the fact that they were poor: “My bride and I were wrapped in blankets because the 1946 Ford I drove had no heater.” (Don’t worry; they eventually bought a big house and fancy cars.) A few details do humanize Mallory. He is frank, for example, about his desire to make money, and he freely admits he often didn’t spend enough time with his wife. But his workmanlike prose offers a textbook example for writing students of what not to do. Countless redundancies (“I was financially solvent”) and overblown adjectives (“profound,” “agonizing”) weigh down the text. Mallory manages to transform potentially revelatory moments, such as his discovery that the kindly surgeon directing his residency had end-stage cancer, into trite musings about “life’s uncertainties.” Show-don’t-tell may be overused advice, but it certainly applies here: Introducing a key story with a trite phrase like, “a tragic event occurred that affected me greatly,” is guaranteed to suck the life out of even the most powerful vignette. Extraneous reflections on (for instance) the importance of having a yard for the kids don’t serve the larger narrative—then again, it never really becomes clear what the larger narrative is. Most readers won’t make it to what is presumably intended to be the book’s emotional climax, when knee-replacement surgery and a diagnosis of Parkinson’s disease show the great doctor what it’s like to be a patient.

Mallory may have been an important orthopedic surgeon, but he’s no Jerome Groopman.

Pub Date: Dec. 1, 2007

ISBN: 978-0-8262-1773-8

Page Count: 208

Publisher: Univ. of Missouri

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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