From Schlereth (American Studies/Notre Dame): a detailed, lively survey of the commonplace objects, events, experiences, products, and tastes that comprised America's Victorian culture, expressed its values, and shaped modern life. Between the Philadelphia Centennial Exposition in 1876 and the San Francisco one in 1915, the US population doubled, redistributed itself, and developed the character and lifestyle identified with the middle classes in the 20th century. Its mobility required roads, trains, trolleys, maps, canals, autos; new means of communication in telephones, telegraphs, and mass media; and a standard time devised by railroads and measured by alarm clocks, time clocks, and cheap watches. New economic systems emerged: farms were commercialized; foods were processed (Kellogg's), condensed (Borden's), preserved (Heinz), distributed in food chains (A&P), promoted through advertising, and identified with brand names and slogans. New occupations emerged; typewriters created secretaries who cultivated new standards of personal appearance wearing shirtwaists, using cosmetics, shopping in department stores, and visiting beauty parlors. Toothpaste, razor blades, health foods, and spas expressed the rising interest in personal fitness as well as recreation, which extended to moving pictures, spectator sports, public gardens, amusement parks, and bicycles—all based on the new technologies, on the new vision of people mastering nature. But the book is not all trivia, not just the Juicy Fruit gum and the cafeteria-eating that Americans discovered at the San Francisco Fair. Schlereth, a writer of immense tact and range, recounts with equal interest and vitality the whole constellation of events that surrounded the development of suburban living, domestic history, the labor movement, the architecture of colleges—and conveys it seamlessly. The notes reveal something of his erudition, his ability to see the relationships, to depict unpretentiously this complex period of cultural history with all its ironies and color. A splendid achievement. (Forty-three pages of photographs—not seen.)
Pub Date: July 31, 1991
ISBN: 0-06-016218-X
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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