by Thomas J. Schlereth ‧ RELEASE DATE: July 31, 1991
From Schlereth (American Studies/Notre Dame): a detailed, lively survey of the commonplace objects, events, experiences, products, and tastes that comprised America's Victorian culture, expressed its values, and shaped modern life. Between the Philadelphia Centennial Exposition in 1876 and the San Francisco one in 1915, the US population doubled, redistributed itself, and developed the character and lifestyle identified with the middle classes in the 20th century. Its mobility required roads, trains, trolleys, maps, canals, autos; new means of communication in telephones, telegraphs, and mass media; and a standard time devised by railroads and measured by alarm clocks, time clocks, and cheap watches. New economic systems emerged: farms were commercialized; foods were processed (Kellogg's), condensed (Borden's), preserved (Heinz), distributed in food chains (A&P), promoted through advertising, and identified with brand names and slogans. New occupations emerged; typewriters created secretaries who cultivated new standards of personal appearance wearing shirtwaists, using cosmetics, shopping in department stores, and visiting beauty parlors. Toothpaste, razor blades, health foods, and spas expressed the rising interest in personal fitness as well as recreation, which extended to moving pictures, spectator sports, public gardens, amusement parks, and bicycles—all based on the new technologies, on the new vision of people mastering nature. But the book is not all trivia, not just the Juicy Fruit gum and the cafeteria-eating that Americans discovered at the San Francisco Fair. Schlereth, a writer of immense tact and range, recounts with equal interest and vitality the whole constellation of events that surrounded the development of suburban living, domestic history, the labor movement, the architecture of colleges—and conveys it seamlessly. The notes reveal something of his erudition, his ability to see the relationships, to depict unpretentiously this complex period of cultural history with all its ironies and color. A splendid achievement. (Forty-three pages of photographs—not seen.)
Pub Date: July 31, 1991
ISBN: 0-06-016218-X
Page Count: 416
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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