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LE MORTE D'ARTHUR

THE NEW RETELLING BY GERALD J. DAVIS

A new collection that intriguingly sheds light on a famous legend.

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An updated retelling of the tales of King Arthur and his knights.

As the uninitiated reader will learn from the preface to this extensive work, the tales of King Arthur, as modern audiences know them, were translated from the French and compiled by Englishman Sir Thomas Malory. A version of his work was set in print for wider consumption by William Caxton in 1485. Then, in 1934, a second Malory manuscript, which was arguably closer to his original intent, was discovered in Winchester, England. This latest rendition by translator Davis (The Canterbury Tales, 2016, etc.) is a lengthy amalgam of the Caxton and Winchester works, retelling what he felt were the “best” parts of each. In this way, the reader is launched into his version of a wild world of knights, chivalry, horses, and bloodshed, with details that may be unfamiliar to many. The work is broken up into individual books; Book Five, for example, sees King Arthur battling his way to Rome, and Book Thirteen details the famed quest for the Holy Grail. Many tales center on the desires of particular knights, and for the most part, those desires extend toward the realm of combat. As depicted here, knights—of which there are many—seem to love nothing more than to attack, preferably on horseback. Jousting is the most common activity, and the text vividly recounts knights being knocked off their perches. At one point, for instance, Sir Tristan deals such a blow to his opponent that the latter “fell upside-down from his horse, and the blood burst out from the vents of his helmet.” However, although these passages are full of action, such scenes eventually become tedious. If anyone ever stops to wonder whether the life of a “Fair Knight” holds any meaning outside of fighting, it is rarely expressed. Still, for those readers who may be expecting a straightforward quest narrative, Davis’ compilation contains a number of unexpected elements, including some highly specific religious detail. Book Two, “The Tale of Balin,” for instance, provides background on Joseph of Arimathea’s involvement with the Holy Grail, and the aforementioned Book Thirteen, about the quest for the artifact itself, also involves an explanation of the parable of Jesus and a fig tree, which appears in the Gospels of Mark and Matthew in the New Testament. Davis’ text can be repetitive in places, and the style of the retelling, as a whole, doesn’t ultimately read with the ease of a modern story. However, many readers will still find it illuminating to see how Davis presents all the parts of the legend of King Arthur that the popular culture has ignored since the days of Malory. Indeed, there are some truly odd moments here; at one point, for example, the great Sir Lancelot kills someone with his bare hands for not letting him ride in his cart, and at another, it’s pointed out that Sir Gawain “loved all kinds of fruit, especially apples and pears.”

A new collection that intriguingly sheds light on a famous legend.

Pub Date: March 5, 2019

ISBN: 978-1-79460-760-6

Page Count: 726

Publisher: Time Tunnel Media

Review Posted Online: May 25, 2019

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THE VEGETARIAN

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

Pub Date: Feb. 2, 2016

ISBN: 978-0-553-44818-4

Page Count: 192

Publisher: Hogarth

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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