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ANJA THE LIAR

Nicely nuanced, with a fine sense of place and time: good wartime fiction, but nothing very special as a romance.

In a story of the fragile peace that followed WWII in Central Europe, Moran (What Harry Saw, 2002, etc.) brings together three survivors who have a great deal to hide.

In the war’s aftermath, millions of refugees effectively no longer existed or were occupied by foreign armies. The unluckiest were those, like Anja Wienewska, who found themselves without passports or official documents of any kind. A Pole who had survived the brutal Nazi occupation of her native Krakow by working as an informer for the SS, Anja ended up, in 1945, in a displaced persons camp. There, she met Walter Fass, an engineer and former Wehrmacht officer who had lost an arm in Yugoslavia. Taking advantage of his status (i.e., his papers were in order), Anja and Walter married (she was trying to pass herself off as a German), thereby freeing her from the risk of being repatriated to Poland—where she risked being exposed as a collaborator and shot. The two moved to a small farm that Walter’s family owned just over the Italian border, and Walter found work as an engineer on one of the many reconstruction projects then underway. After the birth of a daughter, it appeared that the two were going to settle down to normal peacetime life, but their domestic happiness was interrupted by the arrival of Mila Cosic, a young Serbian woman. During the war, Mila had fought with the Chetniks, a group of partisans who had opposed first the Nazis, later the Communists. Now an Italian citizen (citizenship was extremely fluid in the years right after the war), Mila had known Walter in Yugoslavia. What was their relationship? And what did she want from him now? Most Europeans who had been through the war learned by instinct to be vague about their actions later on. But sometimes the truth could not stay submerged.

Nicely nuanced, with a fine sense of place and time: good wartime fiction, but nothing very special as a romance.

Pub Date: Oct. 1, 2003

ISBN: 1-57322-260-7

Page Count: 336

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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THE SEVEN AGES

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Glück’s international reputation as an accomplished and critically acclaimed contemporary poet makes the arrival of her new volume an eagerly anticipated event. This slender collection meets these expectations with 44 poems that pull the reader into a realm of meditation and memory. She sets most of them in the heat of summer—a time of year when nature seems almost oppressively heavy with life—in order to meditate on the myriad realities posed by life and death. Glück mines common childhood images (a grandmother transforming summer fruit into a cool beverage, two sisters applying fingernail polish in a backyard) to resurrect the intense feelings that accompany awakening to the sensual promises of life, and she desperately explores these resonant images, searching for a path that might reconcile her to the inevitability of death. These musings produce the kinds of spiritual insights that draw so many readers to her work: she suggests that we perceive our experiences most intensely when tempered by memory, and that such experiences somehow provide meaning for our lives. Yet for all her metaphysical sensitivity and poetic craftsmanship, Glück reaffirms our ultimate fate: we all eventually die. Rather than resort to pithy mysticism or self-obsessive angst, she boldly insists that death creeps in the shadows of even our brightest summers. The genius of her poems lies in their ability to sear the summertime onto our souls in such a way that its “light will give us no peace.”

A fine demonstration of the power and versatility of Glück’s verse, this volume will delight fans and intrigue newcomers.

Pub Date: April 9, 2001

ISBN: 0-06-018526-0

Page Count: 80

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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THE LIFE LIST

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Devastated by her mother’s death, Brett Bohlinger consumes a bottle of outrageously expensive Champagne and trips down the stairs at the funeral luncheon. Add embarrassed to devastated. Could things get any worse? Of course they can, and they do—at the reading of the will. 

Instead of inheriting the position of CEO at the family’s cosmetics firm—a position she has been groomed for—she’s given a life list she wrote when she was 14 and an ultimatum: Complete the goals, or lose her inheritance. Luckily, her mother, Elizabeth, has crossed off some of the more whimsical goals, including running with the bulls—too risky! Having a child, buying a horse, building a relationship with her (dead) father, however, all remain. Brad, the handsome attorney charged with making sure Brett achieves her goals, doles out a letter from her mother with each success. Warmly comforting, Elizabeth’s letters uncannily—and quite humorously—predict Brett’s side of the conversations. Brett grudgingly begins by performing at a local comedy club, an experience that proves both humiliating and instructive: Perfection is overrated, and taking risks is exhilarating. Becoming an awesome teacher, however, seems impossible given her utter lack of classroom management skills. Teaching homebound children offers surprising rewards, though. Along Brett’s journey, many of the friends (and family) she thought would support her instead betray her. Luckily, Brett’s new life is populated with quirky, sharply drawn characters, including a pregnant high school student living in a homeless shelter, a psychiatrist with plenty of time to chat about troubled children, and one of her mother’s dearest, most secret companions. A 10-step program for the grief-stricken, Brett’s quest brings her back to love, the best inheritance of all. 

Spielman’s debut charms as Brett briskly careens from catastrophe to disaster to enlightenment.

Pub Date: July 30, 2013

ISBN: 978-0-345-54087-4

Page Count: 368

Publisher: Bantam

Review Posted Online: June 8, 2013

Kirkus Reviews Issue: June 15, 2013

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