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OPEN UP

Trauma, rage, depression, and heartbreak mingle with dashes of optimism and excitement.

A moving testament to human connection in the modern age.

The characters in Welsh author Morris’ short stories are desperate for control. He paints a world that is ambivalent at best, actively cruel at worst. In “Little Wizard,” the ironically nicknamed Big Mike rails against his diminutive stature, lashing out at friends, co-workers, roommates, and prospective Tinder dates because no one can seem to look past the fact that he’s 5-foot-3. He, like Morris’ other protagonists, begs for a chance, for someone to see him. He finally works up the courage to ask his best friend and crush, Rhian, out on a date, and the grand reveal showcases Morris’ true intention with the tale. Elsewhere, in “Birthday Teeth,” Glyn is a moderator on a forum for vampire fanatics. He balances taking care of his depressed mother with his own macabre outlook on the world, all the while obsessively sharing details of a recently ended relationship, one that involved a staggering betrayal. Glyn has convinced himself he can solve his problems by paying for a procedure to get his teeth sharpened; if only he had this one thing, everything else would turn out all right. It’s the essential theme of this story collection—what are the ways we try to control the uncontrollable? Life’s randomness brings chaos and tragedy. Is there an escape? In “Wales,” Gareth goes to a soccer match with his father, whom he hasn’t seen in three months. If Wales wins, “everything will turn out okay,” he assures himself. “His mother will find a wad of cash stuffed in the walls and they won’t need to move out.” The throughline here is an unrelenting empathy, whether Morris is writing about a family of seahorses or a couple wrestling through disconnect on what was supposed to be a restful vacation. Everyone, every living thing, matters.

Trauma, rage, depression, and heartbreak mingle with dashes of optimism and excitement.

Pub Date: April 8, 2025

ISBN: 9781961884342

Page Count: 200

Publisher: Unnamed Press

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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