Ultragruesome murders are no match for a trio of detectives in this standout thriller.
A vicious serial killer terrorizes Manhattan, bent on avenging an abusive past.
In this third entry of a thriller series, after Bone Thief (2006) and The Screaming Room (2007), New York author O’Callaghan introduces his most heinous killer yet: a psychotic mortician with a vendetta against Manhattan sex workers. Right from the opening pages, Tilden Quinn is already at work embalming his latest victim inside a mortuary. After the bloodless corpse is discovered floating in the East River, other bodies begin popping up all across New York City. Homicide Lt. John Driscoll dutifully snaps into action to lead an investigation that swiftly blooms with each horrific victim Tilden mutilates. As both a childhood and adult victim of abuse, Tilden is on the loose exacting his hate-filled rage against sex workers, particularly after an encounter that left him sodomized so severely he was hospitalized. To the killer, these women wrongfully “chose a life of immorality” and must be thoroughly cleansed by way of exsanguination. As Driscoll delves deeper into the case, the tall, intimidating detective continues to wrestle with a sorrowful past that includes the death of his mother when he was a boy and the loss of his teenage daughter to a drunk driver. The accident sent his wife into a coma. Just as torturous is Tilden’s own history, which the author teases out over the course of the novel. That backstory describes him as a boy being physically abused by his sex-worker mother’s live-in john. Driscoll, ably assisted by tough Sgt. Margaret Aligante, a childhood victim of abuse, and Detective Cedric Thomlinson, who is covertly battling a burgeoning alcohol dependency, begins amassing clues. The team investigates suspects in a new string of church-related slaughters and interviews prospective leads, no matter how unsavory they may be, including a porn producer specializing in simulated snuff films. Themes of matricide, religious atonement, arson, and even cannibalism all conspire to create a heady stew of intrigue, crime drama, and thrilling police procedural. In Tilden, O’Callaghan has impressively molded a nefarious sociopathic maniac whose barbaric childhood roots hold the key to his murderous motivation. Not for the faint of heart, this novel is perhaps the most accomplished of the series with its chilling forensics, riveting suspense sequences, grisly details, and a diabolical villain who’s wholly consumed by merciless revenge.
Ultragruesome murders are no match for a trio of detectives in this standout thriller.Pub Date: May 9, 2020
ISBN: 978-1-952225-14-7
Page Count: 352
Publisher: WildBlue Press
Review Posted Online: July 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Review Program: Kirkus Indie
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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