by Thomas Piketty & Claire Alet ; illustrated by Benjamin Adam ‧ RELEASE DATE: Sept. 10, 2024
A relatively accessible approach to a subject that may still—beg pardon—tax readers without training in economics.
A graphic treatment, with attendant simplifications, of French economist Piketty’s difficult study of capitalism and its failings.
Piketty’s opus would seem an unlikely candidate for translation into what used to be called a comic book. Complete with a fictional family to humanize the dismal-science edge (whence the “novel” part of “graphic novel”), it opens with Piketty’s account of France’s ancien régime and its three estates (the clergy, the nobility, and all the rest), an economy based on deep inequalities. That gulf is reinforced by a proportional or flat tax, which, as one panel puts it, “since the rich stay rich, and the poor stay poor,…thus favors the wealthiest group.” Contrast this with progressive taxation, where the “highest incomes are more heavily taxed, for the good of all society,” and you begin to build a bridge. Anathema to free-marketers and libertarians, that system worked in France, the U.S., and other advanced countries until the 1980s and ’90s, when, once those taxes were rolled back, “multiple elites” began to contend on left and right, each in turn building a base that reflects “the return of the educational cleavage,” the left representing educated globalists and the right building on the less educated nationalists. At present the latter seems to be ascendant, and, as a character representing Piketty at the lectern asserts, 1% of the population owns 27% of global wealth, more than twice as much as the poorest half. What’s to be done? Piketty has never been short of policy recommendations, and the graphic treatment captures some of the key ones, including cracking down on taxes evaded (which, if paid, “would pay the annual salary of 34 million nurses”), taxing carbon emissions, instituting “genuine social ownership of capital” by giving employees meaningful shares in their employers’ businesses, and more. It doesn’t quite add up to a novel—it’s really more like Piketty for Dummies.
A relatively accessible approach to a subject that may still—beg pardon—tax readers without training in economics.Pub Date: Sept. 10, 2024
ISBN: 9781419777059
Page Count: 176
Publisher: Abrams ComicArts
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
by Thomas Piketty ; translated by Willard Wood
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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30
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
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