by Thomas Steele ‧ RELEASE DATE: Oct. 4, 2025
An intriguing collage-like structure detracts from this novel’s core mystery.
In Steele’s novel, an enigmatic young woman’s disappearance ignites a fervor in a small Pennsylvania city.
Mae Gypsum is a bright and attractive 22-year-old college student, seemingly devoted to her family and her church, who’s respected by her peers, even if she isn’t particularly close to any of them. Then she vanishes in the fall of 2012, just before the date that some theorists believe that the world will come to an apocalyptic end, according to the Mayan calendar. As the city of Seldon, Pennsylvania, mobilizes to search for her, the investigation is complicated by divorcée Mia Sanders’ testimony. She says that, although Mae was seen on camera on Oct. 2 at “ten thirty-eight, almost twenty-five minutes northeast” of town, buying gum at a convenience store, Sanders observed Mae eight minutes earlier, “gracefully hover-glid[ing] across the entire width of the street” in West Seldon before seemingly dissolving into thin air. Further muddling matters, journalist Jeffrey McKinney reprints Mae’s diaries in which she reveals her musings on reincarnation. Soon, there are rumors that Mae could perform miracles, casting her in the role of a modern-day prophet. However, as her legend captivates the people of Seldon, they seem to forget that the young woman at the center of this commotion remains missing. Steele weaves his mystery through a collage of media, including journal entries, overheard snippets of townsfolk’s conversations, police reports, text messages, snippets from conspiracy-theory blogs, and recollections from community members, ranging from a local deli owner to the charming grandmother of Mae’s childhood friend. It’s an undeniably creative storytelling method. However, the unusual structure keeps Mae from becoming fully accessible to the reader, which lessens the emotional impact of her loss. Steele’s reliance on word-of-mouth worldbuilding also ensures that the eventual reveal of the central character’s fate feels shocking but ultimately unsatisfying.
An intriguing collage-like structure detracts from this novel’s core mystery.Pub Date: Oct. 4, 2025
ISBN: 9798268432053
Page Count: 293
Publisher: N/A
Review Posted Online: Dec. 9, 2025
Review Program: Kirkus Indie
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Jennette McCurdy ‧ RELEASE DATE: Jan. 20, 2026
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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SEEN & HEARD
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