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HOLD ME LIKE A BREATH

From the Once Upon a Crime Family series , Vol. 1

A decent girl-power twist on an old fairy tale for thriller lovers.

Many parents are overprotective, but perhaps none more so than the Landlows with their daughter, Penelope, whom they forbid anyone even to touch.

They do have good reason for this rule. Penelope suffers from idiopathic thrombocytopenic purpura, a disease that can result in horrific internal bleeding at even the lightest touch. Complicating matters, the family profession is human-organ trafficking, which, though it can help those in need (and who can pay), is highly illegal and dangerous. When this danger culminates in horrific tragedy, Penelope suddenly finds herself alone in a world she's ill-equipped to deal with. Will she be able to handle real life and even save the man she loves from death? Schmidt offers a modern-day retelling of the “The Princess and the Pea” that attempts to cast the princess in a more proactive, less victimized role than is traditional. Penelope does manage to break free of her delicate-flower mode (with a little motivation from some bad guys), but she suffers so many setbacks and moments of doubt that readers will be forgiven for wanting to hurry up the process. The romance at the heart of the book is a sweet one, if slightly convenient, and offers a pleasant break from Penelope's primary struggle between her past and present selves.

A decent girl-power twist on an old fairy tale for thriller lovers. (Thriller. 13-18)

Pub Date: May 19, 2015

ISBN: 978-0-80273-782-3

Page Count: 400

Publisher: Bloomsbury

Review Posted Online: Feb. 22, 2015

Kirkus Reviews Issue: March 15, 2015

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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THE SURVIVOR WANTS TO DIE AT THE END

Raw, delicate, and deeply caring.

When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.

In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.

Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)

Pub Date: May 6, 2025

ISBN: 9780063240858

Page Count: 720

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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