A happily multisensory exploration.
Farm animals make realistic noises as youngsters press embedded tactile features.
“Pat the cow’s back to hear her ‘Moo!’ ” Readers can press the fuzzy, black circle on a Holstein cow to hear its recorded noise. This formula is repeated on each double-page spread, one per farm critter (roosters, piglets, lambs and horses). Using stock photography, several smaller images of the animals appear on the left, and a full-page close-up dominates the right. The final two pages are a review of the five farmyard creatures and include a photo of each as well as a review of their sounds in succession via a touch of a button. While the layout is a little busy, the selection of photos and the tactile elements are nicely diverse. The text is simple enough for little ones, encourages interaction (“Can you baa like a lamb?”) and uses animal-specific vocabulary (fleece; mane). The sister title, Noisy Trucks (978-1-58925-609-5), follows much the same format, but, here, the stars are big rigs, monster trucks, fire trucks, backhoes and cement mixers. While the photos will thrill the vehicle-obsessed, the noises are less distinctive, save the fire truck’s siren. The facts about each type of vehicle provide just enough information: “A fire truck has a loud siren, ladders to climb, and hoses that spray water.” Despite the age recommendation of 3 years and up suggested on the back cover, the construction (with the battery secured by screw behind a plastic panel) looks sturdy and safe enough for younger readers.
A happily multisensory exploration. (Board book. 18 mos.-3)Pub Date: Sept. 1, 2013
ISBN: 978-1-58925-610-1
Page Count: 12
Publisher: Tiger Tales
Review Posted Online: Sept. 13, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Toddlers are better served by a chorus of the original, accompanied by the finger motions
Yet another remake of the classic fingerplay.
Burton and Rescek need to find a new song to parody or, better yet, come up with something original. As in earlier remakes—The Itsy Bitsy Pilgrim, The Istsy Bitsy Bunny, The Itsy Bitsy Reindeer (all 2016), and The Itsy Bitsy Snowman (2015)—the words are meant to be sung to the tune of the favorite nursery rhyme. In this outing, the rhymes work, but the meter is clunky. Rescek’s characters are cheery enough as they celebrate the transition from winter to spring. The question is why ducklings should replace spiders. “Down came the rain and chased the snow away” is simply not as satisfying as “washed the spider out.” The elements of danger, pluck, and mastery inherent in the original song are missing, as are the actions. A scene of anthropomorphic animals of different species sharing a den confuses rather than enlightens. There is no clear change from winter to spring; the color palette throughout is bright and springlike, and the duckling is about as realistic as an Easter Peep. Sturdy board pages may stand up to lots of handling, but young children are unlikely to ask for it more than once.
Toddlers are better served by a chorus of the original, accompanied by the finger motions . (Board book. 1-3)Pub Date: Jan. 17, 2017
ISBN: 978-1-4814-8655-2
Page Count: 16
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Guess how much you’ll be reading this.
Parent and child share a day of small adventures and cozy snuggles.
That the two happen to be tortoises is totally beside the point. Die-cut holes and shaped edges turn nearly every page flip into a surprise. Following a parental “Good morning, Baby” to greet the youngling’s “Wake up, wake up, I want to play… / The sun is up, it’s a brand new day!” the two reptiles ramble off to munch on leaves, weather a sudden rain shower, discover a flock of butterflies, climb a hill, watch the moon rise, and, at last, weary little one perched on top, settle down to snooze again. The paper engineering is ingenious. Turning a seemingly arbitrarily shaped page with a special window framing a pink butterfly fills the spread with many jewel-toned insects; even though the tortoises never change position, the scene is completely transformed. Hegarty’s rhymed narrative features lots of tender sentiments—“Wherever you are, wherever you go, / Baby, I’ll always love you so”—while steering clear of any gender references. In Elliott’s peaceful, grassy settings the wanderers’ small smiles and shared glances likewise create a sense of loving intimacy. This is likely to become a victim of its own appeal, being as the paper stock is rather too flimsy to survive much contact with toddler hands. Still, a clear winner for sharing with audiences of one or dozens.
Guess how much you’ll be reading this. (Novelty. 18 mos.-3)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-3509-7
Page Count: 32
Publisher: Sourcebooks Wonderland
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
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