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BRONCO AND FRIENDS

A PARTY TO REMEMBER

Well-meaning but muddled.

Bronco the nearsighted dog doesn’t feel worthy of a party invitation.

All the animals in the forest have been invited to a party at which guests will complete a puzzle with a piece they will “find…when [they] realize [they] are made purposefully.” But “because Bronco had terrible vision, he didn’t think he was special enough to go to the party. So he’d thrown out the invitation.” At Squirrel’s urging, Bronco abruptly changes his mind. Putting on his blue eyeglasses, he sets out, on the way meeting other animals who also feel they are unworthy of the invitation for various baseless reasons. He bucks them up so they join him, and they return the favor when he has second thoughts himself. They are all welcomed warmly to the party by Colby, the panda host, who produces Bronco’s missing puzzle piece. Bronco fits it into the center of the puzzle, but rather than expanding on the puzzle metaphor, Colby says, “Each creature is born unique. Our differences make us special.” (This sentiment is reiterated with a closing epigraph from Ephesians 2:10.) Concrete-thinking children may be distracted from the message by wondering just how Colby got Bronco’s puzzle piece. Moreover and troublingly, the story never explicitly dismisses Bronco’s disability as a reason to feel worthless, instead simply celebrating Bronco’s strengths, including his “gift of sniff.” (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 21% of actual size.)

Well-meaning but muddled. (Picture book. 3-7)

Pub Date: Jan. 5, 2021

ISBN: 978-0-593-23204-0

Page Count: 40

Publisher: WaterBrook

Review Posted Online: Jan. 18, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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