A readable guide for the non–IT set.
A pleasing excursion into the daunting terrain of computer-driven information.
British comedian and writer Harkness debuts with an anecdote-laden account of our propensity for making a data set out of anything that can be turned into numbers. “Routinely collected, stored, shared, linked together and analysed,” big data, writes the author, are now used to monitor diseases, predict crime, shape our elections, surveil our private moments, and track our purchases at supermarket checkouts—an extraordinary reach for a term coined in 2006. With a focus on how this enormous information-gathering has affected each major area of our lives, Harkness visited experts in places from Brooklyn to Silicon Valley and engaged in lucid conversations about numbers-crunching, from early recording-keeping (death and census data) to Alan Turing’s use of mechanized reasoning to break secret World War II codes to our present widespread use of big data in business, science, politics, and other realms. “Basically any interaction between man and machine, or machine and machine, these days is being logged,” one researcher told her. The author confesses her appreciation of big data’s benefits—its ability, for example, to trace links between behavior, environment, and health outcomes—but also her wariness of its growing intrusiveness. “Our most personal information, our private exchanges, our network of friends, are used by others without our consent,” she writes. Since the invention of the filing cabinet, governments have tried to run society by watching data, warned a privacy advocate: “If only we had more data we could control things better!” Harkness’ style is light and conversational, but she makes clear her serious concerns about a society in which it is now possible to predict the likelihood of a person’s future involvement in homicide or other serious crime based on the police records of friends and acquaintances. “I’m not a data point, I am a human being,” she writes. “And so are you.”
A readable guide for the non–IT set.Pub Date: Aug. 1, 2016
ISBN: 978-1-4729-2005-8
Page Count: 304
Publisher: Bloomsbury Sigma
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
Bryson is a real traveler, the kind of guy who can be entertained by (and be entertaining about) a featureless landscape...
Just in time for Sydney’s upcoming Olympic games, this travel narrative from veteran wanderer Bryson (I’m a Stranger Here Myself, 1999, etc.) provides an appreciative, informative, and hilarious portrait of the land Down Under.
“And so once more to the wandering road,” declares Bryson—which is music to the ears of his many deserving fans. This time it is Australia, a country tailor-made to surrender just the kind of amusing facts Bryson loves. It was here, after all, that the Prime Minister dove into the surf of Victoria one day and simply disappeared—the prime minister, mind you. There are more things here to kill you than anywhere else in the world: all of the ten most poisonous snakes, sharks and crocodiles in abundance, the paralytic tick, and venomous seashells that will “not just sting you but actually sometimes go for you.” A place harsh and hostile to life, “staggeringly empty yet packed with stuff. Interesting stuff, ancient stuff, stuff not readily explained.” And Bryson finds it everywhere: in the Aborigines (who evidently invented and mastered oceangoing craft 30,000 years before anyone else, then promptly forgot all about the sea), in the Outback (“where men are men and sheep are nervous”), in stories from the days of early European exploration (of such horrific proportions they can be appreciated only as farce), and in the numerous rural pubs (where Bryson learns the true meaning of a hangover). Bryson is still open to wonder at the end of his pilgrimage: the grand and noble Uluru (once known as Ayer’s Rock) reaches right down into his primordial memory and gives it a stir. “I’m just observing that if I were looking for an ancient starship this is where I would start digging. That’s all I'm saying.”
Bryson is a real traveler, the kind of guy who can be entertained by (and be entertaining about) a featureless landscape scattered with “rocks the color of bad teeth.” Fortunately for him and for us, there’s a lot more to Australia than that.Pub Date: June 6, 2000
ISBN: 0-7679-0385-4
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2000
Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of...
Everything you ever wanted to know about America’s favorite Mafia serial—and then some.
New York magazine TV critic Seitz (Mad Men Carousel: The Complete Critical Companion, 2015, etc.) and Rolling Stone TV critic Sepinwall (Breaking Bad 101: The Complete Critical Companion, 2017, etc.) gather a decade’s worth of their smart, lively writing about New Jersey’s most infamous crime family. As they note, The Sopranos was first shot in 1997, helmed by master storyteller David Chase, of Northern Exposure and Rockford Files renown, who unveiled his creation at an odd time in which Robert De Niro had just appeared in a film about a Mafioso in therapy. The pilot was “a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit. It is high and low art, vulgar and sophisticated.” It barely hinted at what was to come, a classic of darkness and cynicism starring James Gandolfini, an actor “obscure enough that, coupled with the titanic force of his performance, it was easy to view him as always having been Tony Soprano.” Put Gandolfini together with one of the best ensembles and writing crews ever assembled, and it’s small wonder that the show is still remembered, discussed, and considered a classic. Seitz and Sepinwall occasionally go too Freudian (“Tony is a human turd, shat out by a mother who treats her son like shit”), though sometimes to apposite effect: Readers aren’t likely to look at an egg the same way ever again. The authors’ interviews with Chase are endlessly illuminating, though we still won’t ever know what really happened to the Soprano family on that fateful evening in 2007. “It’s not something you just watch,” they write. “It’s something you grapple with, accept, resist, accept again, resist again, then resolve to live with”—which, they add, is “absolutely in character for this show.”
Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of them.Pub Date: Jan. 8, 2019
ISBN: 978-1-4197-3494-6
Page Count: 480
Publisher: Abrams
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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