An intermittently moving tale of love and loss in the City of Light.
A graphic memoir about romance in Paris.
In 2019, coming off a year of major depression, noted artist and graphic designer Goodman wanted to “do something big for myself—not for my career, not for someone else, not for some impossible facade I could never keep up with because of fear.” He decided to move to Paris for six months, learn French, and eat “all the baguettes.” While he was there, he met Aimée, who gave him a “tingly feeling I hadn’t felt since I was a teen.” After only a few months, the author committed wholeheartedly to the relationship. “I was thinking about wedding pictures,” he writes. Unfortunately, the romance didn’t survive Goodman’s move back to New York City, and the challenges of a long-distance relationship proved too much for the couple. Eventually, they met in Rome and broke up. This book, illustrated in Goodman’s characteristic Sharpie-based style, is his attempt to create “art out of my own heartache.” The story of his brief but intense love affair is a jumping-off point for the author to excavate his own traumas and vulnerabilities, beginning with the departure of his biological father when Goodman was only 18 months old. The author also delves into some of his other unlucky relationships with women, and he includes a brief, post-breakup interlude. Goodman casts himself as the starry-eyed romantic of the book’s title, a “sentimental” person who “cries to The Internon a two-hour-long flight to Chicago.” He is overwhelmingly open about his emotions about the breakup, noting that when a rumor reached him that his ex may have been unfaithful to him, he got drunk and “wrote two intense emails to my therapist like I was 2Pac in his prime.” Goodman’s willingness to bare it all is touching, but the end result feels more like a blog than a cohesive book.
An intermittently moving tale of love and loss in the City of Light.Pub Date: Jan. 31, 2023
ISBN: 978-1-66800-369-5
Page Count: 192
Publisher: Simon Element
Review Posted Online: Oct. 19, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
SEEN & HEARD
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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