A debut that’s as sweet as the Junior Mints at your favorite movie theater.
To All the Boys I’ve Loved Before meets Simon vs. the Homo Sapiens Agenda in this breezy LGBTQ+ romance.
For movie buff Wren Roland, the perfect kiss-before-the-credits scene has a foolproof formula: the right place, the right moment, and the right person. Unlike his sociable best friends, Avery and Mateo, the 22-year-old recent college graduate has never been kissed. Aside from plenty of on-screen kissing lessons from Tom Hanks and Meg Ryan, the closest Wren’s lips have come to another boy’s amounts to a series of four “Pre-Coming-Out-Almost-Kisses,” the memories of which he preserves safely in an email folder labeled “Tentacle Porn.” Instead of wallowing in what could have been, Wren looks forward to his eighth summer in a row working at Wiley’s Drive-In, a historical gem in his hometown of Willow Valley, Pennsylvania. As the new manager, Wren plans to help his boss, Earl, keep the establishment afloat by tracking down reclusive local movie director Alice Kelly for a special showing of her one and only film, which hasn't been seen in years. Then a drunken email fiasco disrupts Wren’s well-planned summer when he accidentally sends out the four letters he wrote to his almost-kisses, including Derick Haverford, his high school best friend, who ghosted him. As luck would have it, Derick is returning to Willow Valley as Wiley’s social media marketing intern. Thrown together in an attempt to save the drive-in and Alice Kelly’s directorial reputation, Wren comes to learn that maybe the real thing is even better than the movies. While Janovsky’s debut is slightly predictable and many of the characters are prone to over-the-top dramatics, there’s a light, airy feeling to the book that’s not unlike watching your favorite comfort film. Wren’s personal qualms prove relatable and sincere, as when he struggles to define himself as anything other than queer until realizing he’s demisexual, and readers will enjoy accompanying him on his early-20s journey.
A debut that’s as sweet as the Junior Mints at your favorite movie theater.Pub Date: May 3, 2022
ISBN: 978-1-72825-058-8
Page Count: 288
Publisher: Sourcebooks Casablanca
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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