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PINA

A scalding corrective to the romantic Western view of French Polynesia written with authority, urgency, and compassion.

Prizewinning Tahitian novelist Peu exposes the human toll of colonialism and poverty in this polar opposite of a picture postcard.

“Every story begins with a family story. Every family has its people bound by blood.” Nine-year-old Pina, living in a shack on the outskirts of Papeete, the eighth of nine children, has her mean, worn-out mother and Auguste, her violent, alcoholic father. When he falls into a coma after a drunken-driving accident, Pina goes to live with relatives in the countryside. But her relief from abuse is short-lived. Against all expectation, Auguste survives, now convinced he’s on a mission from God to cleanse his family and Tahiti itself of immorality. Told in symphonic chapters from varying points of view, the novel follows the family and community through violent events and political unrest, culminating in a rapid-fire series of shocking crimes. Peu paints a blunt, unsparing picture of island life: Young girls are drugged and assaulted at Epstein-esque orgies; gay men are beaten in homophobic hate crimes; poverty, alcoholism, and abuse are rampant. Pina’s sister Hannah fled to Paris yet can’t escape the legacy of colonialism: “Vaita, the first prophet, the visionary, had foretold: in one or two or three centuries the earth will be despoiled, the oceans emptied out, desecrated forever. And their children tormented and lost for having forgotten the very name of the moon that saw their birth.” Colonialism, one character says, “is limited to no era, to no age. It’s simply there. It’s simply, always been there. It’s changed a bit over time, but fundamentally it’s all the same. The soldiers are gone, replaced by Golden Boys straight out of France’s fanciest business school.” And the burden is borne by people like Pina, “a tender sacrifice on the altar of squalor.”

A scalding corrective to the romantic Western view of French Polynesia written with authority, urgency, and compassion.

Pub Date: July 26, 2022

ISBN: 978-1-63206-155-3

Page Count: 320

Publisher: Restless Books

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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WE ARE ALL GUILTY HERE

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

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More than a decade after a Georgia man is convicted of a monstrous double murder, an uncomfortably similar crime frees him and resets the search for the guilty party.

In Clifton County, home to the Rich Cliftons and the other Cliftons, the disappearance of teens Madison Dalrymple and Cheyenne Baker during the Halloween festivities hits everyone in North Falls hard. Working with her father, Sheriff Gerald Clifton, Deputy Emmy Lou Clifton hears the clock ticking down as she races frantically to get leads on the two friends, who’d been secretly plotting to take off for Atlanta after some undisclosed big score. As a longtime friend of Madison’s mother, Hannah, Emmy hopes against hope to find the missing teens before they’re both dead. By the time Emmy’s hopes are dashed, two unpleasantly likely suspects with strong attachments to underage sex partners have emerged, and one of them ends up in prison. In a bold move, Slaughter jumps over the next 12 years to the case of Paisley Walker, a 14-year-old whose disappearance catches the eye of retiring FBI criminal psychologist Jude Archer, who promptly crosses the country to come to Clifton County and take charge—um, that is, consult—on this heartrending new investigation. Emmy, suddenly and shockingly deprived of counsel from the parents who’ve supported her all her life, doesn’t get along any better with Jude than with the larger circle of Cliftons and the Clifton-Cliftons. But together they identify one new suspect, then another, before a shootout that arrives so early you just know there are still more surprises to come.

Although it lacks the surgical precision of Slaughter’s very best nightmares, this one richly earns its title.

Pub Date: Aug. 12, 2025

ISBN: 9780063336773

Page Count: 448

Publisher: Morrow/HarperCollins

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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