Engaging scenes from a country trapped in a rather nice brothel.
Expatriate’s debut memoir, in which Italian culture postures, disappoints, and still makes life more exciting than anywhere else.
Sound familiar? This belongs to the venerable genre featuring a protagonist who goes to live in a foreign land, learns the language, delves into society’s seamy underside, and exposes the machinations of a corrupt power structure while maintaining a parallel discourse on the physical and cultural charms that make the country, in the end, simply irresistible. Just as fellow Brit Peter Robb does in A Death in Brazil (p. 262), Jones performs a literary autopsy on Italy while bringing it back to life. To hear him tell it, while half of all Italians are in its shops and streets, the other half are queued at the post office to apply for one of the endless list of permits the country’s “clerical class” has imposed on its citizenry. Italian courts, working from a base of more law than anywhere in Europe, but without habeas corpus, tend to produce paperwork in the absence of clear convictions or acquittals, as those atop the power pyramids (including the Mafia) inevitably tamper with magistrates, juries, and whatever witnesses remain alive. Italians complain about it and suffer (insert here a mighty shrug in which the arms may resemble bat’s wings) but, Jones explains, this is a country where patriotism goes first to one’s city-state or district; decades of shocking factional terror following WWII were, in effect, a civil war that, like a lot of other things in Italy, never quite got finished. Enter the oligarchs, cut from the same pattern as current PM Silvio Berlusconi: owners of industries, soccer teams, newspapers or TV stations, and criminal records who are nonetheless able to vault in and out of government at will. “Here,” Jones notes, “conflict of interest is a positive thing.”
Engaging scenes from a country trapped in a rather nice brothel.Pub Date: June 1, 2004
ISBN: 0-86547-700-0
Page Count: 272
Publisher: North Point/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2004
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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