A well-written, beautifully produced piece of ancient history.
A fresh history of King Tut and his world, generously illustrated and lucidly written.
The ancient Egyptian obsession with burying important people in elaborate tombs has rewarded archaeologists with more Egyptian artifacts than those found for all other ancient civilizations combined. British journalist Wilkinson, author of many books on this subject, including A World Beneath the Sands, builds this expert history on items recovered from Tutankhamun’s tomb, which, only lightly looted, contained more than 5,000 well-preserved objects and drawings, making it “the greatest archaeological discovery of all time.” Following tradition in the genre, the author includes a history of Egyptology, initially a sophisticated form of looting in which European antiquarians snapped up objects for their collections. By the 19th century, scholars had solidified the study of ancient Egypt, and the establishment of the Antiquities Service (by the British, who ruled Egypt) produced a steady stream of discoveries, capped by the bombshell of Howard Carter’s 1922 opening of Tutankhamun’s tomb. Wilkinson writes that the early rulers of the Nile Valley were the first humans to exercise authority over a geographically extensive state, beginning around 3000 B.C.E. The pharaonic government endured unchanged—though often challenged—for three millennia until Cleopatra surrendered to Rome in 31 B.C.E. It remains the longest-lived nation in history; as the author notes, “a greater span of time separated the Great Pyramid from Cleopatra than separates her from our own age.” Even better, artifacts include innumerable written documents because papyrus preserves better than paper. Uniquely blessed with material, scholars have had no trouble filling multivolume tomes on ancient Egypt, but readers will have no regrets at the end of this one. Beginning not with “prehistoric” but “predynastic” people who settled in the river valley, he moves smoothly through the Old, Middle, and New Kingdoms, inevitably emphasizing religion but not ignoring politics and war as well as the surprisingly well-documented daily lives of the people. The book includes 50 black-and-white photos and 16 pages of color.
A well-written, beautifully produced piece of ancient history.Pub Date: Nov. 1, 2022
ISBN: 978-0-393-53170-1
Page Count: 496
Publisher: Norton
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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