Next book

THE UMBRELLA MAKER'S SON

A NOVEL OF WWII

At once well told and ineffably sad. Read it but keep your tissues handy.

A young man and the people he loves struggle to survive the Nazi occupation of Poland.

On September 1, 1939, the first day the bombs fall, Reuven Berkovitz and Zelda Abramovitch are in love and dream of a life together. Reuven helps his papa, Lev, an umbrella maker in Kraków who takes great pride in his work. But soon, German soldiers occupy Poland and force Papa to hand his shop over to a non-Jew. “Suddenly,” the 17-year-old Reuven says, “Papa and I were no longer umbrella makers. We were nothing.” The vise closes quickly on Jewish society, and “within nine months, the Germans had stolen our business, belongings, and identities.” Then the Jews of Kraków are confined within heavily guarded walls while the rest of the city goes about its daily business. Reuven has one advantage: Due to his fair coloring, he can easily pass for gentile. But the two lovers are separated early on, and Reuven’s unflinching desire to find Zelda is the engine that drives this compelling and heartbreaking debut novel. Once he witnesses the murder of his family, grief becomes his “constant companion....No matter how trapped [he] felt in [his] prison of melancholy, she was the one thing worth living for.” For a while, he survives by working on a farm and pretending he’s mute. Later, he’s on a work crew assigned to smash headstones then dig up and burn decaying bodies in a Jewish cemetery so a road can be built through it. The calculated and often casual cruelty is painful to read, even for those familiar with the dark history of antisemitism and the Nazi thugocracy. Reuven’s experiences feel so immediate that we want to cry with him. Will he ever find Zelda? Will they ever emerge together on the other side of the war? Will hope finally triumph over horror? A sympathetic Catholic man speaks to Reuven of a “memory now braided, like the bread, with love and grief.” Author Lending’s great-grandfather was an umbrella maker in Warsaw in the late 1800s and served as his inspiration.

At once well told and ineffably sad. Read it but keep your tissues handy.

Pub Date: Feb. 11, 2025

ISBN: 9780063413849

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 11, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 91


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CORRESPONDENT

An affecting portrait of a prickly woman.

Awards & Accolades

Likes

  • Readers Vote
  • 91


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

Awards & Accolades

Likes

  • Readers Vote
  • 67


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

Awards & Accolades

Likes

  • Readers Vote
  • 67


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

Close Quickview