The undead are just another government conspiracy in this solid, politically infused novel.
An experimental drug revives the assassinated U.S. president, who’s suddenly hellbent on world domination, in Richardson’s debut thriller.
President Alexander Scott Holden doesn’t survive an assassin’s bullets. But brother and National Security Agency Director Tom Holden needs him alive for at least a few more days to follow through with a plan to solidify America’s economic stability. A small group agrees to the administering of a necrosis treatment in the early stages of development. It works, and the president eventually regains his mental capacity. But something’s wrong, apart from his emaciated, undeadlike appearance. The commander in chief is slowly amassing a horde of the undead, and an unforeseen military assault against Haiti is just the beginning of a plot that might entail taking over the world. Despite the undead villains, the novel has more signs of a political thriller than any other genre. The president’s secret reanimation, for one, smells more like a coverup than dead flesh, while he faces off against radicals, the Free Reign Movement, who are possibly behind the assassination with a mole inside the White House. Richardson, regardless of the playful title, takes the horror element seriously, largely avoiding the Z-word and using scientific descriptions to detail undead symptoms. A doctor discussing Holden’s condition, for example, notes “that even modest doses of any kind of stimulant result in acute physical excitation,” i.e., the president is, at first, a biter. The story, however, doesn’t leave much room for humor or nuanced character relationships. But tabloid journalist Grace Livy is a highlight, sneaking over to Haiti to investigate what seem to be walking corpses and even involved in a (mostly implied) love triangle with reporters Danny Chase and John “Jacko” Ledbetter. Richardson pulls away from genre conventions: the formerly dead president isn’t a mindless animated cadaver, and some of the undead are actually living people who’ve become unwitting participants in the drug trials. In the end, the president’s actions could result in a global war, and though an undead apocalypse could happen, it’s the real-world threat that packs the most punch.
The undead are just another government conspiracy in this solid, politically infused novel.Pub Date: May 29, 2015
ISBN: 978-1-4969-7221-7
Page Count: 352
Publisher: AuthorHouse
Review Posted Online: Aug. 4, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Review Program: Kirkus Indie
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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