Vivid, distressing, and all too real, Strasser’s (Close Call, 1999, etc.) latest work of fiction explores the minds and hearts of a group of students, parents, teachers, and community members whose lives are forever altered by a tragic school shooting. After years of harassment and casual cruelty from the football heroes at Middletown High that is tacitly endorsed by adults in the school, two disturbed, volatile boys arm themselves to the teeth and storm their school dance looking for payback. Although the book’s main message—if these kids couldn’t easily procure weapons, this tragedy could have been averted—comes through loud and clear it is also a denunciation of the value system of an entire community, a community that allowed—even encouraged—a select few to rule by bullying. As the stepsister of one of the gunmen said, “Violence comes in many forms—guns, fists, and words of hate and contempt. Unless we change the way we treat others in school and out, there will only be more, and more horrible tragedies.” The book is not written like a traditional novel; it’s a pastiche of various voices, and the reader pieces the story together through interviews, diary entries, online conversations, and even suicide notes. Despite the fact that the cast is large and it may be difficult for young readers to keep track of who’s who, the multiple points of view create empathy for a wide range of characters and enhance the book’s in-your-face reality. Important, insightful, and chilling. (Fiction. 12-14)
Pub Date: Sept. 1, 2000
ISBN: 0-689-81112-8
Page Count: 146
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
This novel may mean well, but it fails to find a balance between romance and the reality of regime change
An American teen visiting her Egyptian grandmother in Cairo witnesses the beginnings of the Arab Spring movement.
After being caught at a wild high school party, Mariam and her best friend, Deanna, are sent to spend the remaining five months of the school year with her conservative grandmother in Egypt. Mariam dreads her grandmother’s legendary strictness: “[F]rom the stories my baba [father] has told me…I would probably have more freedom in jail.” But Deanna, who “loves anything Egyptian,” immediately embraces the adventure. (Deanna’s tastes run toward romance novels featuring stereotypical illustrations of “pseudo-Arab lover boy[s]” on the covers.) Mariam’s initial mockery of her friend’s books later becomes ironic when the plot begins to center more heavily on romantic entanglements than the rebellion against President Hosni Mubarak. By the end of the teens’ stay in Egypt (which ends up being a mere five days), both girls have found boyfriends for themselves and a love match for the grandmother. The timeline makes the many musings on true love more mawkish than believable. Meanwhile, there are so few scenes about the demonstrations in Tahrir Square or meaningful conversations about the political landscape that readers will develop little sense of the historical significance of the real Egyptian rebellion.
This novel may mean well, but it fails to find a balance between romance and the reality of regime change . (Historical fiction. 12-14)Pub Date: Dec. 2, 2014
ISBN: 978-1-4926-0138-8
Page Count: 320
Publisher: Sourcebooks Fire
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
BOOK REVIEW
BOOK REVIEW
A strong effort that stumbles short of the finish line.
An eighth grader writes a song that perfectly captures how he feels about being stuck between childhood and adulthood.
Anthony's in a tough spot. He's feeling disrespected in the classroom and at home. The only place he feels valued is in the after-school Rock Band Club, a program in which he and his friends excel. After a particularly tough day, Anthony stays up all night writing an angst-y anthem that goes viral. His band mates want to play the song at the school's talent show, but will the administration let them play a song with a couple f-bombs in it? Emerson's prose captures the early-teen mood swings well, but it feels weird coming from a character who does fairly well in school and has two loving parents who support his musical interests. When his song crescendos with a repeated, screamed "F*** THIS PLACE!" it’s hard not to wonder what it is exactly he hates—a point his club adviser tries to get at as well. Regardless, the narrative momentum keeps readers invested in Anthony’s moral conundrum. Unfortunately the book's ending fizzles out in the most disappointing—if realistic—way possible, failing to provide any sort of satisfying resolution to Anthony's problems.
A strong effort that stumbles short of the finish line. (Fiction. 12-14)Pub Date: Feb. 24, 2015
ISBN: 978-0-385-39112-2
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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