This cocktail's recipe would be one part Travis McGee, one part Carl Hiaasen, and a salt shaker full of magical realism.
A beach bum who's a magnet for bad juju struggles to maintain his hard-knock life and idle pleasures amid the heat-seeking trouble headed his way.
Gulf Coast native Cooper made a memorable debut with The Marauders (2015). This second act delivers an even messier, nastier, more brutal, and engaging yarn that spans decades on a remote outpost deep in the wilds of Florida. Most crime novels zero in on a single target: a murder, a heist, or just regular bloody revenge. In this fascinating decadeslong trek, we follow perpetually stoned Reed Crowe and his nearly endless run of bad luck. Our titular loser is stuck, both psychically and physically, on Emerald Island, one of those fabled tourist traps from the 1950s, where Reed, circa 1980, manages a run-down motel and a pathetic amusement park, The Florida Man Mystery House. There’s an ex-wife, an internationally known artist named Heidi, as well as the memory of their dead little girl, Lily, which haunts him daily. As in many small towns, the denizens of Emerald Island live in a state of perpetual, tentative détente that threatens to erupt into violence at any moment. Among them are Wayne Wade, Reed’s pervy, drug-addled buddy; a kid named Eddie Maldonado who insists on helping with Reed’s various schemes; and most importantly, Henry Yahchilane, a quiet but dangerous loner who marks Reed as a threat to one of his most closely held secrets. Things get way out of hand when a villain named Hector “Catface” Morales, a Mariel boatlift veteran and sadistic assassin long thought dead, resurfaces with a plan to punish Reed for a dope deal gone wrong years ago. Add a few biblical hurricanes, the occasional sea monster, and Jimmy Buffet and stir.
This cocktail's recipe would be one part Travis McGee, one part Carl Hiaasen, and a salt shaker full of magical realism.Pub Date: July 28, 2020
ISBN: 978-0-593-13331-6
Page Count: 416
Publisher: Random House
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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