by Tom Coyne ‧ RELEASE DATE: May 1, 2001
Honest to the point of bleakness, but too loosely constructed to be really involving. And yet the talent is unmistakable.
An unsparing debut about golf reaches the green in reasonable shape, but then leaves the putt short.
The title is ironic. Around the course at suburban Delaware's Fox Chase Country Club gentlemen are, in fact, a scarce item, though fakes and phonies are not. Check out “the caddy hole,” however, and if you're the right kind of observer you'll find more authentic types, even a gentleman or two—not in the conventional sense, of course, but in terms of bedrock worth. To young Timmy Price it's all a revelation, a nonstop parade of often confusing, sometimes wrenching experiences. It’s been discovered that Timmy, at age 11, is a natural golfer gifted with a swing so “pure” that it sets him instantly apart and makes him the object of rapt attention whenever he addresses the ball. From his father, the attention is mostly anxious. An inept though unquestionably caring parent, the senior Price decides that hubris is involved and draconian measures are called for. As a result, Timmy is suddenly consigned for his own sake to the caddy-hole subculture. He makes friends there, but he encounters a lot that 11-year-olds shouldn't have to confront. The caddies are a disparate group encompassing the fiercely competitive, the near-heroic, and the hopelessly abject. Too soon, Timmy is forced to conclude that there are only “two kinds of people in the world, people who carry things and people who own the things they carry.” By age 14, he's confirmed in a cynicism that saps his pleasure in a game he once loved and perhaps will darken the rest of his life as well.
Honest to the point of bleakness, but too loosely constructed to be really involving. And yet the talent is unmistakable.Pub Date: May 1, 2001
ISBN: 0-87113-791-7
Page Count: 272
Publisher: Atlantic Monthly
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2001
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by Brit Bennett ‧ RELEASE DATE: June 2, 2020
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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SEEN & HEARD
SEEN & HEARD
by Kathleen Grissom ‧ RELEASE DATE: Feb. 2, 2010
Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.
Irish orphan finds a new family among slaves in Grissom’s pulse-quickening debut.
Lavinia is only six in 1791, when her parents die aboard ship and the captain, James Pyke, brings her to work as an indentured servant at Tall Oaks, his Virginia plantation. Pyke’s illegitimate daughter Belle, chief cook (and alternate narrator with Lavinia), takes reluctant charge of the little white girl. Belle and the other house slaves, including Mama Mae and Papa George, their son Ben, grizzled Uncle Jacob and youngsters Beattie and Fanny, soon embrace Lavinia as their own. Otherwise, life at Tall Oaks is grim. Pyke’s wife Martha sinks deeper into laudanum addiction during the captain’s long absences. Brutal, drunken overseer Rankin starves and beats the field slaves. The Pykes’ 11-year-old son Marshall “accidentally” causes his young sister Sally’s death, and Ben is horribly mutilated by Rankin. When Martha, distraught over Sally, ignores her infant son Campbell, Lavinia bonds with the baby, as well as with Sukey, daughter of Campbell’s black wet nurse Dory. Captain Pyke’s trip to Philadelphia to find a husband for Belle proves disastrous; Dory and Campbell die of yellow fever, and Pyke contracts a chronic infection that will eventually kill him. Marshall is sent to boarding school, but returns from time to time to wreak havoc, which includes raping Belle, whom he doesn’t know is his half-sister. After the captain dies, through a convoluted convergence of events, Lavinia marries Marshall and at 17 becomes the mistress of Tall Oaks. At first her savior, Marshall is soon Lavinia’s jailer. Kindly neighboring farmer Will rescues several Tall Oaks slaves, among them Ben and Belle, who, unbeknownst to all, was emancipated by the captain years ago. As Rankin and Marshall outdo each other in infamy, the stage is set for a breathless but excruciatingly attenuated denouement.
Melodramatic for sure, but the author manages to avoid stereotypes while maintaining a brisk pace.Pub Date: Feb. 2, 2010
ISBN: 978-1-4391-5366-6
Page Count: 384
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
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