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FOLLOWING EZRA

WHAT ONE FATHER LEARNED ABOUT GUMBY, OTTERS, AUTISM, AND LOVE FROM HIS EXTRAORDINARY SON

Determinedly upbeat, the author depicts parenting with grace and every child as a gift.

A father celebrates his son’s differences and advises others on how to view autism as a parallel journey rather than a restrictive label.

Chronicling son Ezra’s toddler years through his bar mitzvah, journalist Fields-Meyer (Business Mensch: Timeless Wisdom for Today’s Entrepreneur, 2009, etc.) approaches autism from a topical perspective, creating a loving tribute that favors “following” his son’s interests instead of imposing behavioral or social expectations. Subjects range from the initial diagnosis to Ezra’s deep enchantment with animals, and from learning to read to the rewards and challenges of parenting a child who is spirited and unfiltered in his expressions. This is not the average medical memoir concerned with educating the public, nor does it trace a common tragedy-to-triumph trajectory; the author strongly emphasizes supporting Ezra himself over the condition. Advised early on to “grieve for the child he didn’t turn out to be,” Fields-Meyer quickly realized that there was nothing to grieve, and no sense of blame. Together with his wife and Ezra's brothers, he adapted to life at a slower pace, allowing frustration and wonderment alike to play out naturally. Characteristics of autism, which can include repetition, fixation, facial nuances, lessened eye contact and a superb memory for obscure minutiae are not treated as symptoms to normalize but as opportunities to enter Ezra’s world—whether that means learning the running times of animated films or appreciating honest insights.

Determinedly upbeat, the author depicts parenting with grace and every child as a gift.

Pub Date: Sept. 6, 2011

ISBN: 978-0-451-23463-6

Page Count: 256

Publisher: NAL/Berkley

Review Posted Online: Aug. 20, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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