Readers who see spiritual perfection as a journey, rather than a destination, will appreciate Henderson as a fellow traveler.
An exhaustive spiritual journey unspooled in free verse, short prose and original artwork.
An assemblage of 17 chapbook-length collections, this massive volume intimidates by its dimensions and heft alone; however, once inside, readers will find accessible poetry that invites browsing rather than marathon reading sessions. Thanks in large part to the endlessly recursive nature of the poetry, there’s not a best place to start or finish. In fact, the image of spindled time perfectly captures the experience of encountering Henderson’s cosmic tome, as he circles a central, eternal mystery, sometimes spiraling in and sometimes flying around. This rhythmic alternation of inward and outward focus is one of Henderson’s persistent themes, introduced in the prologue—“Looking outward, at my world, / I observed the constant changes around me, / Peering inward, I analyzed / My own shifting feelings”—and revisited frequently, most memorably in several examples of concrete poetry featuring spirals and waves. Elsewhere, various narrators on numerous “paths” and “journeys” invariably learn how much they do not yet know. In Blakean fashion, Henderson strives to deconstruct the tension of man simultaneously seeing himself as “the image of perfection” and as a “mere, and mortal, fool.” Wisdom, he suggests, lies in unifying both visions, often via paradox. In “The Flight of the Spirit,” for instance, the narrator laments, “I have searched for an escape. / But, death comes to all. / Escape then, is inevitable. / Life is short.” After further contemplation, however, he instead concludes that “chains are loosened by death. / The soul drifts into the freedom / Of eternity, / Forever has no end / If death is short / And life is everlasting.” For all its lofty philosophical inquiries, Henderson’s poetry is generally unadorned, marked by plain speech and the occasional simple rhyme scheme. Because the mystic nature of these revelations is likely to confound reason, the mind can be slow to believe. After enough repetitions, the contemplation could descend into navel-gazing, so reading in small doses may be the best approach.
Readers who see spiritual perfection as a journey, rather than a destination, will appreciate Henderson as a fellow traveler.Pub Date: April 28, 2011
ISBN: 978-1456751029
Page Count: 672
Publisher: AuthorHouse
Review Posted Online: Jan. 21, 2013
Review Program: Kirkus Indie
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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