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TRACY FLICK CAN'T WIN

Nobody told this master of dark comedy there are things you can’t make jokes about. Watch him try.

The campaign to create a Hall of Fame at a suburban New Jersey high school lures a few skeletons out of their closets.

Perrotta's 10th novel, following the delightful Mrs. Fletcher (2017), revives the now-iconic protagonist of his third, Election (1998). Tracy Flick, portrayed so unforgettably by Reese Witherspoon in the movie, is not only back, she’s still in high school—now as Dr. Flick, assistant principal in another New Jersey town. Combining narrated chapters with short first-person “testimonies” by five of the characters, the plot unfolds with the you-are-there feel of a documentary, or mockumentary perhaps, though the generally arch tone is belied by a not-so-funny ending. As the story begins, Tracy is at the breakfast table with her 10-year-old daughter, reading the paper. The connection between the #MeToo headlines and her own past (she’s always thought of what happened with her sophomore English teacher as an “affair”) is perturbing. Her once-unshakeable belief in her own agency has been almost fatally challenged since then, shoving her off her track to the presidency of the United States (not “a crazy ambition,” according to her), now offering as booby prize the possibility of taking over for the principal when he retires at the end of the year. But in the meantime, she has to deal with this stupid Hall of Fame project, which pushes many of her buttons. Once again, characters you shouldn’t like at all become strangely sympathetic in Perrotta’s hands. Adulterers, egotists, bullies—well, we all make mistakes. As much as forgiveness seems the explicit theme of the book, its evil twin, revenge, burbles menacingly beneath the surface, and the ending is a shocker.

Nobody told this master of dark comedy there are things you can’t make jokes about. Watch him try.

Pub Date: June 7, 2022

ISBN: 978-1-5011-4406-6

Page Count: 272

Publisher: Scribner

Review Posted Online: March 15, 2022

Kirkus Reviews Issue: April 1, 2022

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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REGRETTING YOU

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

When tragedy strikes, a mother and daughter forge a new life.

Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.

The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.

Pub Date: Dec. 10, 2019

ISBN: 978-1-5420-1642-1

Page Count: 400

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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