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TIBETAN PEACH PIE

A TRUE ACCOUNT OF AN IMAGINATIVE LIFE

The author’s detractors will likely find fault, but this is a fitting cap to a sui generis career, equally satisfying in...

The first memoir from the idiosyncratic novelist, who claims that if “it doesn’t read like a normal memoir, that may be because I haven’t exactly led what most normal people would consider a normal life.”

Indeed. The narrative—comprised of a series of vignettes from various points in the author’s eventful life and appropriately spiked with deliciously mischievous language and philosophical musings—may be “somewhat subject to the effects of mnemonic erosion,” but it is piquant and intriguing nonetheless. In roughly chronological order, Robbins (B Is for Beer, 2009, etc.) covers his childhood in Blowing Rock, N.C.; his move to and residence in Richmond, Va., in which he discovered and thrived in the one enclave in town not considered ultraconservative; his time at Hargrave Military Academy and two years at Washington and Lee; his experiences in the Air Force as a meteorologist in Korea and at Strategic Air Command in Nebraska; his post at the Richmond Times-Dispatch; his move to Seattle and eventual assumption of the position of arts critic at the Seattle Times; and his brush with the FBI, who thought he might have been the Unabomber. As can be expected from Robbins, each short section is subject to digressions and thoughtful pauses, only a few of which linger a bit too long. His chronicle of the writing and publication of Another Roadside Attraction (1971) does not occur until nearly halfway through the book, and the author glides through the rest of his oeuvre (Still Life with WoodpeckerJitterbug Perfume et al.) with less reflection. Most readers, even die-hard Robbins fans, won’t mind, however. They will enjoy this peek into the intelligently goofy and always fertile mind of this inventive writer, who riffs on everything from women and drugs to the publishing industry, conceptions of spirituality and the countless culinary wonders of kimchi.

The author’s detractors will likely find fault, but this is a fitting cap to a sui generis career, equally satisfying in short installments or read straight through.

Pub Date: May 27, 2014

ISBN: 978-0-06-226740-5

Page Count: 384

Publisher: Ecco/HarperCollins

Review Posted Online: March 29, 2014

Kirkus Reviews Issue: April 15, 2014

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A MOVEABLE FEAST

What we've all been awaiting: the first of Hemingway's posthumous works he began in 1958 and finished in 1960. This is a memoir of his expatriate days in the twenties, and MacLeish's little poem about the young man with the panther good looks who whittled a style for his times in the sawmill attic in Paris comes to life here. What also comes to light is the "inside story," or the very personal revelations, parts of whicy may become a cause scandale. Not only is the Fitzgerald portrait ungenerous, but the disclosures of his sexual difficulties with Zelda are embarrassing. Miss Stein is also victimized, and there are allusions to puzzling perversities. Pound, Ford, Eliot, Lewis and Joyce are around and they are treated with affection, or affectionate malice. The best passages are the descriptive ones— fine writing with all the supple surety of Sun— of bookstalls, cafes, streets, the Seine, race tracks, and travel. And of course there's Hemingway on his wife Hadley, and Hemingway on Hemingway..... Mary McCarthy's famous attack on Salinger scored him for following Papa's special club of OK people (like him) versus the "others" (unlike him). The memoir has something of that snobbery and certain people may go after it accordingly. Still, whatever the indiscretions, it is an important work, a literary source from a master. There can be little doubt of its interest and attraction for many as a reprise of a now legendary time when Hemingway was young and happy and "invulnerable," and a place— well, "There is never any ending to Paris.

Pub Date: May 5, 1964

ISBN: 0684833638

Page Count: 207

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: May 1, 1964

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THE WOLF OF WALL STREET

Entertaining as pulp fiction, real as a federal indictment.

A cocky bad boy of finance recalls, in much detail and scabrous language, his nasty career as a master of his own universe.

At a young age, in an industry with many precocious bandits, Belfort ran a Long Island–based brokerage with the deceptively WASP-y name of Stratton Oakmont. It was a bucket shop habitually engaged in crooked underwritings. Its persuasive boss was a stock manipulator and tax dodger; he details the stock kiting, share parking, money laundering and customer swindles. Many millions poured in, and cash brought with it excess upon excess. Along with compliant women and copious drugs, there were multiple mansions, many servants, aircraft, yachts and, for all the guys on the trading floor, trophy wives. Among his under-the-table and beneath-the-sheets activities, the author’s most imperative seemed to be sex and dope-taking, despite his professed abiding love for his (now ex) wife and kids. Belfort’s portrait of his family is vivid, as is his depiction of the merry cast of supporting players: sweet Aunt Patricia, a Swiss forger, evil garmentos, Mad Max (Stratton’s CFO and his father). The melodrama covers coke snorting, Quaalude eating, kinky sex, violence, car wrecks, even a sick child and a storm at sea. “A cautionary tale,” the author calls it. It is crass, certainly, and vulgar—and a hell of a read. Belfort displays dirty writing skills many basis points above his tricky ilk. His chronicle ends with his arrest for fraud. Now, with 22 months in the slammer behind him, he’s working on his next book.

Entertaining as pulp fiction, real as a federal indictment.

Pub Date: Oct. 2, 2007

ISBN: 978-0-553-80546-8

Page Count: 522

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2007

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