THE MOST SPECTACULAR RESTAURANT IN THE WORLD

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THE MOST SPECTACULAR RESTAURANT IN THE WORLD

Name: THE MOST SPECTACULAR RESTAURANT IN THE WORLD
Author: Tom Roston
ISBN: 978-1-4197-3799-2

THE TWIN TOWERS, WINDOWS ON THE WORLD, AND THE REBIRTH OF NEW YORK

by Tom Roston ‧ RELEASE DATE: Sept. 10, 2019

Stories of creation and destruction told in an informed and compassionate voice.

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A detailed, inspiring, and horrifying account of the restaurant that sat atop the North Tower of the World Trade Center.

Former Premiere senior editor Roston (I Lost It at the Video Store: A Filmmakers' Oral History of a Vanished Era, 2015) returns with a rich, complex account of Windows on the World, a story the author begins by discussing the many immigrants who worked there—later, he includes one of Donald Trump’s many clueless comments about 9/11. However, politics is much in the background; in the foreground are the many stories of the founders of the restaurant, the local politics (e.g., dealing with the Port Authority, the organization that controlled the site), key workers in the restaurant, the amenities, and the menus. He also chronicles the fundamental changes that occurred after the Feb. 26, 1993, truck-bomb episode. Informed by more than 125 interviews, the text is most impressive for its accounts of the human relationships involved, both the friendships and the fiery competitions among some of the managers. Emerging above all is Joe Baum, the restaurateur, who, writes Roston, “could electrify or freeze a room, depending on his mood.” Baum and his colleagues faced significant challenges in the space. For example, they were not allowed to use natural gas and had to use electricity (which most all disdained) and a charcoal pit, and they were dealing with a rough economy in the mid-1970s. Eventually, however, the restaurant grossed enormous sums and became a New York City institution. Roston concludes with some very painful chapters about 9/11: the day before, the day of, the days after. All who were in the restaurant died that day; there was no escape from the floors above the impact. As the author grimly reminds us, many on the doomed upper floors jumped, preferring that to incineration.

Stories of creation and destruction told in an informed and compassionate voice.

Pub Date: Sept. 10, 2019

ISBN: 978-1-4197-3799-2

Page Count: 352

Publisher: Abrams

Review Posted Online: July 13, 2019

Kirkus Reviews Issue: Aug. 1, 2019

Categories:

BIOGRAPHY & MEMOIR | GENERAL HISTORY | GENERAL BIOGRAPHY & MEMOIR

- BOOK REVIEW
THE WRITER'S CRUSADE
by Tom Roston

- BOOK REVIEW
I Lost It At the Video Store
by Tom Roston

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CONFESSIONS OF A BOOKSELLER

by Shaun Bythell ‧ RELEASE DATE: April 7, 2020

Bighearted, sobering, and humane.

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A bookseller in Wigtown, Scotland, recounts a year in his life as a small-town dealer of secondhand books.

“The pleasure derived from handling books that have introduced something of cultural or scientific significance to the world is undeniably the greatest luxury that this business affords,” writes Bythell. In a diary that records his wry observations from behind the counter of his store, the author entertains readers with eccentric character portraits and stories of his life in the book trade. The colorful cast of characters includes bookshop regulars like Eric, the local orange-robed Buddhist; Captain, Bythell’s “accursed cat”; “Sandy the tattooed pagan”; and “Mole-Man,” a patron with a penchant for in-store “literary excavations.” Bythell’s employees are equally quirky. Nicky, the author’s one paid worker, is an opinionated Jehovah’s Witness who “consistently ignores my instructions” and criticizes her boss as “an impediment to the success of the business.” His volunteer employee, an Italian college student named Emanuela (whom the author nicknamed Granny due to her endless complaints about bodily aches), came to Wigtown to move beyond the world of study and “expand [her] knowledge.” Woven into stories about haggling with clients over prices or dealing with daily rounds of vague online customer requests—e.g., a query about a book from “around about 1951. Part of the story line is about a cart of apples being upset, that’s all I know”)—are more personal dramas, like the end of his marriage and the difficult realities of owning a store when “50 per cent [sic] of retail purchases are made online.” For Bythell, managing technical glitches, contending with low profit margins on Amazon, and worrying about the future of his business are all part of a day’s work. Irascibly droll and sometimes elegiac, this is an engaging account of bookstore life from the vanishing front lines of the brick-and-mortar retail industry.

Bighearted, sobering, and humane.

Pub Date: April 7, 2020

ISBN: 978-1-56792-664-4

Page Count: 320

Publisher: Godine

Review Posted Online: Feb. 4, 2020

Kirkus Reviews Issue: March 1, 2020

Categories:

GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR

- PERSPECTIVES
Short Attention Span? Read One of These

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NO NAME IN THE STREET

by James Baldwin ‧ RELEASE DATE: May 26, 1972

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James Baldwin has come a long way since the days of Notes of a Native Son, when, in 1955, he wrote: "I love America more than any other country in the world; and exactly for this reason, I insist on the right to criticize her perpetually." Such bittersweet affairs are bound to turn sour. The first curdling came with The Fire Next Time, a moving memoir, yet shot through with rage and prophetic denunciations. It made Baldwin famous, indeed a celebrity, but it did little, in retrospect, to further his artistic reputation. Increasingly, it seems, he found it impossible to reconcile his private and public roles, his creative integrity and his position as spokesman for his race. Tell Me How Long the Train's Been Gone, for example, his last novel, proved to be little more than a propagandistic potboiler. Nor, alas, are things very much better in No Name In the Street, a brief, rather touchy and self-regarding survey of the awful events of the '60's — the deaths of Malcolm X and Martin Luther King, the difficulties of the Black Panther Party, the abrasive and confused relationships between liberals and militants. True, Baldwin's old verve and Biblical raciness are once more heard in his voice; true, there are poignant moments and some surprisingly intimate details. But this chronicle of his "painful route back to engagement" never really comes to grips with history or the self. The revelatory impulse is present only in bits and pieces. Mostly one is confronted with psychological and ideological disingenuousness — and vanity as well.