Satirist Sharpe returns after a lengthy hiatus, anger undimmed, in an alternately cruel and hilarious tale of greed set in a contemporary Britain blighted by the appetites set loose during Margaret Thatcher's reign. Those familiar with Sharpe's previous work will not be disappointed. This tale, like his earlier novels (Wilt on High, 1984, etc.), features violent slapstick (including a brilliantly sustained scene in which a violent, drunken husband has to contend with a surly watchdog, his wife's lesbian lover, and a drugged lout who has unknowingly crawled into bed with the wife); some spirited, acidic, precise portraits of authority gone amuck; and a grimly humorous skewering of human foibles. Although young Timothy Bright has served quite lucratively as a front man for some shady financial types during the go-go '80s, the crash in the early '90s leaves him broke. He secretly helps himself to some of his family's carefully hoarded capital and flees. The arrogant and not-very- bright Timothy bungles his getaway by running afoul of a powerful and thoroughly corrupt police superintendent. He ends up hiding out at Middenhall, a grotesque country house filled with an assortment of geriatric oddities and presided over by the formidable Miss Midden, and in the middle of a war. It turns out that the superintendent is determined to drive Miss Midden (his only opposition) from the county, the better to continue looting it. The apocalyptic climax involves a shoot-out between a police assault unit and one of the Middens, an addled hunter who mistakes them for terrorists. By the close, Sharpe, with obvious relish, has meted out punishment to the whole scapegrace lot—only the cool, practical Miss Midden survives unchanged. But while there are some wonderfully zany moments here, anger predominates. It's clear that Sharpe really is disgusted by his countrymen, whom he views as shallow, greedy, and dull. Too often, though, the anger overwhelms the satire. A ferociously inventive but uneven satire.
Pub Date: Nov. 11, 1997
ISBN: 0-87951-801-4
Page Count: 256
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1997
The previous books of this author (Devil of a State, 1962; The Right to an Answer, 1961) had valid points of satire, some humor, and a contemporary view, but here the picture is all out—from a time in the future to an argot that makes such demands on the reader that no one could care less after the first two pages.
If anyone geta beyond that—this is the first person story of Alex, a teen-age hoodlum, who, in step with his times, viddies himself and the world around him without a care for law, decency, honesty; whose autobiographical language has droogies to follow his orders, wallow in his hate and murder moods, accents the vonof human hole products. Betrayed by his dictatorial demands by a policing of his violence, he is committed when an old lady dies after an attack; he kills again in prison; he submits to a new method that will destroy his criminal impulses; blameless, he is returned to a world that visits immediate retribution on him; he is, when an accidental propulsion to death does not destroy him, foisted upon society once more in his original state of sin.
What happens to Alex is terrible but it is worse for the reader.
Pub Date: Jan. 8, 1962
ISBN: 0393928098
Page Count: 357
Publisher: Norton
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Jan. 1, 1962
SEEN & HEARD
Here, after last year's Of Love and Shadows, the tale of a quirky young woman's rise to influence in an unnamed South American country—with a delightful cast of exotic characters, but without the sure-handed plotting and leisurely grace of Allende's first—and best—book, The House of the Spirits (1985). When little Eva Luna's mother dies, the imaginative child is hired out to a string of eccentric families. During one of her periodic bouts of rebellion, she runs away and makes friends with Huberto Naranjo, a slick little street-kid. Years later, when she's in another bind, he finds her a place to stay in the red-light district—with a cheerful madame, La Senora, whose best friend is Melesio, a transvestite cabaret star. Everything's cozy until a new police sergeant takes over the district and disrupts the accepted system of corruption. Melesio drafts a protesting petition and is packed off to prison, and Eva's out on the street. She meets Riad Halabi, a kind Arab merchant with a cleft lip, who takes pity on her and whisks her away to the backwater village of Agua Santa. There, Eva keeps her savior's sulky wife Zulema company. Zulema commits suicide after a failed extramarital romance, and the previously loyal visitors begin to whisper about the relationship between Riad Halabi and Eva. So Eva departs for the capital—where she meets up with Melesio (now known as Mimi), begins an affair with Huberto Naranjo (now a famous rebel leader), and becomes casually involved in the revolutionary movement. Brimming with hothouse color, amply displayed in Allende's mellifluous prose, but the riot of character and incident here is surface effect; and the action—the mishaps of Eva—is toothless and vague. Lively entertainment, then, with little resonance.
Pub Date: Oct. 21, 1988
ISBN: 0241951658
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Sept. 15, 1988
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