Real-life experience translated into page-turning fiction.
New hell has been visited upon war-torn Afghanistan in Young’s (Silent Enemy, 2011, etc.) latest action adventure tale.
A devastating earthquake has struck. Villages are left in rubble. Thousands are homeless, exposed and in need of rescue or relief. Into the breach goes U.S. Air Force Lt. Col. Michael Parson, a decorated combat veteran now working as a liaison with the Afghan Air Force. Parson is an experienced navigator and airlift pilot, but even though he isn’t a “rotorhead,” Parson is working with Capt. Rashid and his crew flying a Soviet-built Mi-17 helicopter. In assisting in organizing and administrating effective Afghan flying units, Parson has requested the help of a colleague from another combat service, Army Sgt. Maj. Sophia Gold, a skilled translator of the Pashto language. The two are soon tossed into a chaotic situation. A Taliban splinter group, the Black Crescent led by Bakht Sahar, known as Chaaku (knife in Pashto), is killing aid workers, disrupting delivery of supplies and, worst of all, taking children hostage to be used as suicide bombers. Young writes solidly about the complex dynamics of Afghan-American interaction. He also explores social differences by having Gold become a vital link in the attempt to wheedle information from one of the wives of Mullah Durrani, veteran of the mujahedin and the Taliban, grown too old to fight. In fact, Gold arranges a clandestine meeting and goes on a rogue mission to see Durrani. From there, she develops information that leads to the discovery of Chaaku’s fortress redoubt. Young is an Iraqi-Afghan war veteran, and he treats Afghan allies with due respect, acknowledges difficulties in bridging the gap between cultures and crafts a bad guy worth shooting. His grasp of military terminology, esoteric paraphernalia and ethos are spot-on, but don’t expect a ratcheted-up, loss-of-city narrative standard in a Tom Clancy or Dan Brown thriller. The slam-bang, good-guys-win conclusion comes with a well-described battle at Kuh-e Qara Batar, Chaaku’s mountain lair.
Real-life experience translated into page-turning fiction.Pub Date: July 19, 2012
ISBN: 978-0-399-15846-9
Page Count: 336
Publisher: Putnam
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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