An analytically incisive account of the Electoral College’s foibles.
McIntee gives a comprehensive critique of the Electoral College that includes a consideration of its mathematical failings.
McIntee observes that the Electoral College is not only “peculiar,” but also “immensely unpopular,” and yet it has managed to endure as an American institution since the nation’s inception. Its longevity seems partly due to a mythology that has enshrouded it, a set of misconceptions the author swiftly but rigorously dismantles. This baroque system was not, despite insistence to the contrary, created to protect the representative power of smaller states or rural parts of the country, nor does it do so. Nor was it designed in order to enshrine slavery or to discourage the popular vote. Rather, it was the result of confusion regarding the nature of democracy, more specifically who gets to vote and how. Yet according to McIntee, the Electoral College is ineffective and obsolete—it is unacceptably chaotic, often undermines democratic representation and proportionality, and does not encourage candidates to aim for politically or regionally broad appeal: These are all issues McIntee handles with clarity. Also, he furnishes a remarkably concise history of the Electoral College and its shifting permutations. The author is especially astute when appraising the Electoral College’s “basic mathematical properties” (he is a mathematician by training). Further, this is a genuinely thoughtful study and not a political polemic: “The fact is that we don’t actually know what is the best way to elect a president....We don’t honestly know how American voters will behave either in the short term or the long term when faced with an entirely different voting system.” The only failing of this otherwise edifying work is its neglect of deeper philosophical arguments in favor of the Electoral College and pertaining to the nature of federal republicanism—one can see this in his lack of serious analysis of the Federalist Papers. Nevertheless, this book remains a vital contribution to an important national debate.
An analytically incisive account of the Electoral College’s foibles.Pub Date: Jan. 6, 2023
ISBN: 9781959266006
Page Count: 238
Publisher: Hurricane Lamp Press
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Feb. 1, 2023
Review Program: Kirkus Indie
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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