by Toni Buzzeo & illustrated by Mary GrandPré ‧ RELEASE DATE: Sept. 1, 2002
A contemporary family adoption story and a 19th-century legend are braided together into a tale of extraordinary tenderness and remembered longing. A child sits with her great-aunt Maita, waiting. Aunt Maita grew up on a Maine island where her father was lighthouse keeper. She was taught by her mother, and longed for company. One stormy night, they spot a ship but can do nothing more than keep the light tower lit. When she and her father go down to the shore in the morning, they find a bundle wrapped in eiderdown quilts and tied with sailor’s knots. Within it is a sea chest, with a tiny baby inside with a note from its parents, commending the child into God’s hands. They name her Seaborne, and Maita shares her island treasures such as double-yolk eggs and ripening pumpkins, and teaches her to read. Seaborne is the contemporary child’s great-grandmother, recently passed away, and the chest sits awaiting the new baby girl to be adopted by the narrator’s parents. In her debut for children, Buzzeo uses heightened language with great clarity and emotional precision, and it is elegantly matched by GrandPré’s (Aunt Claire’s Yellow Beehive Hair, 2001, etc.) oil paintings. Her palette partakes of the gold wash of memory and the cherished lavender shadows of home at nightfall. She uses light splendidly: light on the water, light on the island flowers, lamplight on the two girls reading. Altogether a lovely effort. (author’s note) (Picture book. 5-9)
Pub Date: Sept. 1, 2002
ISBN: 0-8037-2703-8
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2002
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by Beth Ferry ; illustrated by Eric Fan & Terry Fan ‧ RELEASE DATE: May 27, 2025
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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