by Toni Collier & Whitney Bak ; illustrated by Natalie Vasilica ‧ RELEASE DATE: Aug. 29, 2023
Religious-themed affirmation to help steel little ones fretting about school.
Collier, founder of the international women’s ministry Broken Crayons Still Color, and co-author Bak help kids tackle first-day-of-school jitters.
There’s nothing like a new box of crayons, especially when the first day of school is right around the corner. Avery tries to enjoy coloring, but she feels “flippy, fizzy, and fluttery inside.” When Avery doesn’t want to eat dinner, her father realizes she’s nervous and encourages her to pray. Avery replies that she’s too scared; her father tells her, “You can do hard things.” Later, Avery draws with her crayons, but her depictions of her first day reflect her anxieties—attempting to draw the school playground, she scrawls an image of her being hit by a ball while another child laughs. Suddenly, Avery’s crayons break. Realizing she’s made a mess, she begins to sob: “I’m a mess, just like these crayons.” But one of the crayons Avery broke begins talking to her, telling her not to put herself down. The very polite crayons reassure Avery, telling her it’s OK to feel bad, offering her strategies for calming herself, and telling her that “no mess is ever too big for God.” Vasilica’s sprightly illustration are charming and inviting, while the message is a soothing one—though one more likely to appeal to religious, especially Christian, readers. Avery and her family present Black. (This book was reviewed digitally.)
Religious-themed affirmation to help steel little ones fretting about school. (feelings color wheel) (Picture book. 4-8)Pub Date: Aug. 29, 2023
ISBN: 9781400242900
Page Count: 40
Publisher: Tommy Nelson
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
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by Benjamin Hall ; illustrated by Martina Motzo ‧ RELEASE DATE: March 3, 2026
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
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by Meena Harris ; illustrated by Marissa Valdez ‧ RELEASE DATE: Feb. 3, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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