Even the most Beatle-weary reader will be charmed and engaged by this intimate account. (Three 8-page b&w photo inserts,...
A close confederate of the Beatles chronicles the band’s rise and fall in an easygoing memoir—about everything except Yoko Ono.
Bramwell grew up with John, Paul, and George in Liverpool, and lat became an important fixture at Apple Records. He was the all-purpose guy who filmed their recording sessions, promoted their material, and, perhaps most importantly, was someone they could relax with at a pub. Told in real time, Bramwell’s account captures the taste and feel of the moment yet also evolves along with the band’s intellectual, artistic, and personal changes. Though Bramwell can’t climb into the Beatles’ heads, he does re-create the serendipitous atmosphere that surrounded their songwriting. And his steel-trap memory carries the big picture along with a mob of details, many of them personal. Rather than focusing entirely on the Beatles, the narrative encompasses the whole scene: the Rolling Stones, the Animals, Eric Clapton, Jimi Hendrix, and numerous others come and go throughout. Bramwell appears to be such a sweet character that his portrait of Yoko Ono comes across like a bite on the kneecap. He loathes this “she-wolf garbed in black,” the “fraud” who talked macrobiotic while shooting heroin, who destroyed all that was once so good in the process of feeding her insecurities. Bramwell doesn’t paint a pretty picture of the last few years of the band’s partnership. He’s more than happy to blame the breakup on Ono and on Allen Klein, who would “cook the books and milk the company dry.” He also has some pointed things to say about the Merry Pranksters and Hare Krishnas.
Even the most Beatle-weary reader will be charmed and engaged by this intimate account. (Three 8-page b&w photo inserts, not seen)Pub Date: April 18, 2005
ISBN: 0-312-33043-X
Page Count: 448
Publisher: Dunne/St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2005
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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