The rest of the book is punctuated by sharp insights and wry observations on the human condition, featuring strong,...
Over several decades, in small towns scattered throughout North Carolina and Tennessee, young and old couples attempt to connect in Earley’s (The Blue Star, 2008, etc.) quirky and penetrating story collection.
In “Haunted Castles of the Barrier Isles,” a long-married couple is bereft when their only child, a college freshman, is less than happy to see them during a surprise birthday visit. With nothing better to do, the couple embarks on a trip to the nearby barrier islands, where they wander into a lackluster beach resort soon to be swallowed up by the encroaching ocean. This desultory vacation is colored by the shock and disappointment of the college visit, and their resulting marital crisis is described with mastery and subtlety. In "Mr. Tall," 16-year-old newlywed Plutina Scroggs sets off in 1932 with her new husband on a seemingly endless rail and mule journey from her hometown to his remote mountain cottage. Earley conveys with genuine humor and insight Plutina’s bewilderment about sex and her initial regrets about the hasty marriage. Plutina later becomes obsessed with her never-glimpsed nearest neighbor, a hermit known as Mr. Tall, during the long weeks she spends alone. These first two stories are the strongest and most memorable of the collection. Additional tales are linked through the use of repeating characters; Plutina reappears as an aging neighbor in “The Cryptozoologist,” in which a new widow becomes infatuated with the yetilike “skunk apes” she glimpses in the woods behind her home. In “Just Married,” a collection of shorter anecdotes, characters appear and cleverly reappear in different phases of their lives with different partners. The only misstep in the book is the novella "Jack and the Mad Dog," a well-crafted but tedious postmodern fable about “THAT Jack, the giant-killer of the stories,” that is out of keeping with the rest of the collection.
The rest of the book is punctuated by sharp insights and wry observations on the human condition, featuring strong, idiosyncratic characters having small epiphanies in their small towns.Pub Date: Aug. 26, 2014
ISBN: 978-0-316-24612-5
Page Count: 224
Publisher: Little, Brown
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
PROFILES
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Too much drama at the end detracts from a finely wrought and subtle conundrum.
Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.
Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.
Too much drama at the end detracts from a finely wrought and subtle conundrum.Pub Date: July 19, 2016
ISBN: 978-1-5011-3293-3
Page Count: 352
Publisher: Scout Press/Simon & Schuster
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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